GOOD MORNING, MISS SWALLOW.
SHH! SHH!
WHY, WHAT'S THE MATTER?
SHH! DR. HUXLEY IS THINKING.
ALICE, I THINK THIS ONE MUST BELONG IN THE TAIL.
NONSENSE. YOU TRIED IT IN THE TAIL YESTERDAY
AND IT DIDN'T FIT.
OH, YES, THAT'S RIGHT. I DID, DIDN'T I?
OH, DAVID, IT'S A TELEGRAM FOR YOU FROM UTAH.
IT'S FROM THE EXPEDITION.
OH, OH, THE EXPEDITION!
OPEN IT. I'LL BE RIGHT DOWN. GEE WHIZ.
OH, YES!
DAVID, THEY FOUND IT!
THEY FOUND IT, DAVID!
NOT THE INTERCOSTAL CLAVICLE?
IT'S ON ITS WAY HERE. IT'LL BE HERE TOMORROW!
OH!
OH, JUST THINK OF IT, PROFESSOR.
THE LAST BONE WE NEEDED TO COMPLETE
THE BRONTOSAURUS. THE VERY LAST BONE!
THE INTERCOSTAL CLAVICLE IS ARRIVING TOMORROW
AFTER FOUR YEARS' HARD WORK.
CONGRATULATIONS, MY BOY.
OH, ISN'T IT GREAT? I CAN HARDLY BELIEVE IT!
OH, ALICE!
STOP IT! REALLY, DAVID,
THERE'S A TIME AND A PLACE FOR EVERYTHING.
WHAT WILL PROFESSOR LaTOUCHE THINK?
AFTER ALL, MY DEAR, YOU'RE GETTING MARRIED TOMORROW.
YES, I KNOW WE ARE--
OH, YES! THAT'S RIGHT!
WE'RE GETTING MARRIED TOMORROW.
ISN'T THAT ODD?
TWO SUCH IMPORTANT THINGS HAPPENING ON THE SAME DAY.
I THINK THE OCCASION CALLS FOR A CELEBRATION.
DON'T YOU WORRY, PROFESSOR. WE'RE GOING TO CELEBRATE.
WE'RE GOING TO GO AWAY DIRECTLY WE'VE BEEN MARRIED.
GOING AWAY? WHAT ARE YOU THINKING OF, DAVID?
AFTER RECEIVING THIS TELEGRAM?
OH, WE CAN'T?
AS SOON AS WE'RE MARRIED, WE'RE COMING DIRECTLY BACK HERE
AND YOU'RE GOING ON WITH YOUR WORK.
OH, WELL, ALICE--
NOW, ONCE AND FOR ALL, DAVID,
NOTHING MUST INTERFERE WITH YOUR WORK.
OH.
OUR MARRIAGE MUST ENTAIL
NO DOMESTIC ENTANGLEMENTS OF ANY KIND.
YOU MEAN-- YOU MEAN...
I MEAN OF ANY KIND, DAVID.
OH, WELL, ALICE, I WAS SORT OF HOPING--
YOU MEAN CHILDREN AND ALL THAT SORT OF THING?
EXACTLY. THIS WILL BE OUR CHILD.
HUH?
YES, DAVID, I SEE OUR MARRIAGE
PURELY AS A DEDICATION TO YOUR WORK.
WELL, GEE WHIZ, ALICE,
EVERYBODY HAS TO HAVE A HONEYMOON.
BUT WE HAVEN'T TIME.
OH? SPEAKING OF TIME,
YOU HAVE AN APPOINTMENT THIS AFTERNOON.
HAVE I? WHAT FOR?
TO PLAY GOLF WITH MR. PEABODY.
PEABODY, WHAT PEABODY?
THE ALEXANDER PEABODY
WHO REPRESENTS MRS. CARLETON RANDOM...
NOW LET ME THINK.
WHO MAY POSSIBLY DONATE $1 MILLION TO THE MUSEUM
FOR THE COMPLETION OF ALL THIS.
OH, SURE! THAT MR. PEABODY.
YES, A MILLION DOLLARS.
SAY, THAT'S PRETTY WHITE OF MR. PEABODY.
WELL, YOU HAVEN'T GOT IT YET.
AND LET ME REMIND YOU THAT A LOT DEPENDS ON
THE IMPRESSION YOU MAKE ON HIM.
OH, SURE, DON'T WORRY.
AFTER I RECEIVED THIS, SAY, I FEEL GOOD.
I'LL WOW HIM, I'LL KNOCK HIM FOR A LOOP!
DAVID, NO SLANG. REMEMBER WHO AND WHAT YOU ARE.
OH, YES. THAT'S RIGHT.
NOW, DO GO ALONG. YOU MUSTN'T KEEP HIM WAITING.
WELL, GOOD-BYE, ALICE-- I MEAN, PROFESSOR.
DON'T FORGET YOUR GOLF CLUBS.
AND REMEMBER, LET MR. PEABODY WIN.
YES, ALICE, I WILL. OH, DEAR. EXCUSE ME.
I--I CAN'T TELL YOU, MR. PEABODY,
HOW MUCH THIS ENDOWMENT WOULD MEAN TO THE MUSEUM
AND TO ME PERSONALLY.
IF YOU COULD JUST GIVE ME SOME ASSURANCE--
IF YOU COULD GIVE ME ASSURANCE
THAT YOU'D CONSIDER US FIRST
BEFORE YOU DONATE THAT MILLION TO ANYONE ELSE,
I'D APPRECIATE IT.
DR. HUXLEY,
YOU SEEM TO BE UNDER SOME MISAPPREHENSION.
I HAVEN'T GOT A MILLION DOLLARS.
I MERELY REPRESENT THE POSSIBLE DONOR,
MRS. CARLETON RANDOM,
WHOSE LEGAL ADVISOR I HAPPEN TO BE.
OH, YES, OF COURSE. I FORGOT.
OH, WELL, MR. PEABODY, THEN I WONDER
IF YOU COULD USE YOUR INFLUENCE
WITH MRS. RANDOM, THAT WOULD BE NICE.
DR. HUXLEY, WHEN I PLAY GOLF,
I ONLY TALK GOLF,
AND THEN ONLY BETWEEN SHOTS.
OH, YES, OF COURSE. I'M SORRY.
COULDN'T WE CONTINUE THIS DISCUSSION
OVER WHISKEY AND SODA WHEN WE'VE FINISHED OUR GAME?
WHY, YES, WE COULD.
MEANTIME, I BELIEVE YOU HOOKED YOUR BALL.
OH, YES, THAT'S RIGHT. I DID.
WELL, I'LL BE WITH YOU IN A MINUTE, MR. PEABODY.
YES, YES. ALL RIGHT.
OH, LOOK, LOOK. YOU CAN'T...
HEY, THAT'S MY BALL. JUST A MINUTE!
WELL, HERE'S HOPING.
I SAY, JUST A MINUTE. I BEG YOUR PARDON.
OH, DEAR.
YOU SHOULDN'T DO THAT, YOU KNOW.
BUT THAT-- WHAT SHOULDN'T I DO?
TALK WHILE SOMEONE'S SHOOTING.
WELL, ANYWAY, I FORGIVE YOU BECAUSE I GOT A GOOD SHOT.
BUT YOU DON'T UNDERSTAND!
SEE, THERE IT IS, RIGHT NEXT TO THE PIN.
BUT THAT HAS NOTHING TO DO WITH IT.
OH, ARE YOU PLAYING THROUGH?
NO. I'VE JUST DRIVEN OFF THE FIRST TEE.
I CAN SEE YOU'RE A STRANGER. YOU SHOULD BE OVER THERE.
THIS IS THE 18th FAIRWAY, AND I'M RIGHT ON THE GREEN.
IF I SINK THIS PUTT, I'M GONNA BEAT MY RECORD.
I'LL BE WITH YOU IN A MINUTE!
WHAT KIND OF BALL ARE YOU PLAYING?
PGA.
I'M PLAYING A CROWFLIGHT.
MMM. I LIKE A PGA BETTER.
NO, I'M JUST TRYING TO PROVE YOU'RE PLAYING MY BALL.
YOU SEE, A PGA HAS TWO BLACK DOTS
AND A CROWFLIGHT HAS A CIRCLE.
I'M NOT SUPERSTITIOUS ABOUT THINGS LIKE THAT.
THAT DOESN'T HAVE ANYTHING TO DO WITH IT.
STOP TALKING, WILL YOU? TAKE OUT THE PIN.
OH, MY. THIS IS SO SILLY. I NEVER SAW SUCH--
HA!
THERE, YOU SEE? IT'S A CIRCLE.
WELL, OF COURSE IT IS.
DO YOU THINK IT WOULD ROLL IF IT WERE SQUARE?
NO, I HAVE REFERENCE TO A MARK ON THE BALL.
I KNOW. I WAS ONLY BEING SILLY.
THAT PROVES IT'S MY BALL.
WHAT DOES IT MATTER? IT'S ONLY A GAME ANYWAY.
WELL, MY DEAR YOUNG LADY, YOU DON'T SEEM TO REALIZE
YOU'VE PLACED ME IN A VERY EMBARRASSING POSITION.
OH, REALLY? I'M SORRY.
THE MOST IMPORTANT CORPORATION LAWYER IN NEW YORK
IS WAITING FOR ME OVER ON THE FIRST FAIRWAY.
THEN IT'S SILLY OF YOU TO BE ON THE 18th GREEN.
YOU DON'T MIND IF I TAKE THIS WITH ME?
NO, NOT AT ALL. TELL THE CADDY MASTER
TO PUT IT IN MY BAG WHEN YOU'RE FINISHED.
HUXLEY! HUXLEY! COME ON!
OH, YES! I'LL BE WITH YOU IN A MINUTE, MR. PEABODY.
[ENGINE REVVING]
HEY, MISTER, I THINK THAT'S YOUR CAR.
[CRUNCH]
HEY, HEY! OH.
I'LL BE WITH YOU IN A MINUTE, MR. PEABODY!
HEY!
HEY! WHAT DO YOU THINK YOU'RE DOING?
I'M TRYING TO UNPARK MY CAR.
OH, HELLO. THIS IS MY CAR!
OH, GOOD. WOULD YOU MOVE IT OUT OF THE WAY?
NO, NO! THIS IS MY CAR!
YES, I UNDERSTAND THAT. IF YOU MOVE IT BACK
ABOUT 4 FEET, I'LL BE ABLE GET OUT.
WELL, I'M AFRAID YOU'VE MADE A MISTAKE.
MAYBE THIS IS YOUR-- WHAT DID YOU SAY?
I SAID, IF YOU MOVE IT BACK
ABOUT 4 FEET, I'LL BE ABLE TO GET OUT.
I'M IN A TERRIBLE HURRY AND I CAN'T BUDGE.
OH, WANT ME TO MOVE YOUR CAR?
WOULD YOU MIND TERRIBLY?
YES, I WILL, BUT...
THAT'D BE AWFULLY KIND OF YOU.
TAKE IT VERY EASY WITH THAT CAR.
YES, I'LL GO SLOWLY.
NO! WHAT ARE YOU DOING?
WELL, I HAVE TO GET INTO POSITION.
WELL, PLEASE BE CAREFUL.
I WILL. NOW, YOU SAY WHEN.
YES, ALL RIGHT.
AM I CLEAR?
YOU'RE CLEAR NOW. CLEAR?
[SMASH] OHH!
NOW, LOOK WHAT YOU'VE DONE.
OH, THAT'S ALL RIGHT. I'M INSURED.
I DON'T CARE WHETHER YOU'RE INSURED OR NOT!
LOOK, LET ME DRIVE THIS CAR.
OH, IT'S ALL RIGHT.
IT'S AN OLD WRECK ANYWAY. IT DOESN'T MATTER.
YOU DON'T UNDERSTAND. THIS IS MY CAR!
YOU MEAN THIS IS YOUR CAR?
OF COURSE.
YOUR GOLF BALL, YOUR CAR?
IS THERE ANYTHING IN THE WORLD
THAT DOESN'T BELONG TO YOU?
YES, THANK HEAVEN. YOU!
NOW, DON'T LOSE YOUR TEMPER.
MY DEAR YOUNG LADY, I'M NOT LOSING MY TEMPER.
I'M MERELY TRYING TO PLAY SOME GOLF.
YOU CHOOSE THE FUNNIEST PLACES.
THIS IS A PARKING LOT.
WILL YOU GET OUT OF MY CAR?
WILL YOU GET OFF MY RUNNING BOARD?
THIS IS MY RUNNING BOARD!
ALL RIGHT, HONEY, STAY THERE.
OH! OH! HELP ME!
EVERYTHING CAN'T BE YOURS.
THIS IS MY CAR. I'LL HANDLE IT HOW I WANT.
IF YOU WANT TO COME WITH ME, COME AHEAD.
HUXLEY! HUXLEY!
I'LL BE WITH YOU IN A MINUTE, MR. PEABODY!
OH, GOOD EVENING, SIR.
EXCUSE ME. I'M LOOKING FOR MR. PEABODY.
ALEXANDER PEABODY. I BELIEVE HE'S DINING HERE.
MR. PEABODY HAS NOT ARRIVED YET.
IS THAT SO? WELL, I'LL JUST WAIT.
YES, SIR.
GOOD EVENING, LOUIS.
GOOD EVENING, MR. BROWN. RIGHT THIS WAY.
MAY I CHECK YOUR HAT, SIR?
EXCUSE ME?
CHECK YOUR HAT?
NO, I BETTER-- WELL, MAYBE YOU'D--
I'M SORRY.
LOOK AT THAT. I DROPPED MY HAT.
WELL, I'D BETTER HANG ONTO IT.
NOW WATCH VERY CAREFULLY.
I'M WATCHING.
I TAKE AN OLIVE, SEE?
AND I THROW IT IN THAT GLASS,
BUT THERE IT IS.
I THROW IT IN THAT ONE.
WAIT. NOW GO ON.
WATCH.
I KNOW WHAT HAPPENS. THAT'S WONDERFUL.
YOU TAKE 3, DON'T YOU?
ONLY YOU CHEATED. YOU CAN SEE ME TAKE 3.
NOW, YOU THROW IT IN.
TAKE ANOTHER, THROW IT IN.
GOOD!
THEN YOU DO THIS.
OH, I...
OH! I'M SO SORRY! OH, HELLO.
YOU'RE SITTING ON YOUR HAT.
HMM. I KNOW IT.
THAT'S SILLY. GET UP. I'M AWFULLY SORRY.
I COULDN'T BE MORE APOLOGETIC, REALLY.
WELL, I MIGHT'VE KNOWN YOU WERE HERE.
I HAD A FEELING JUST AS I HIT THE FLOOR.
THAT WAS YOUR HAT.
YEAH. LOOK AT IT. LOOK.
YES, IT'S TOO BAD, ISN'T IT?
JOE HERE WAS SHOWING ME A TRICK,
AND THE OLIVE GOT AWAY.
FIRST YOU DROP AN OLIVE, AND THEN I SIT ON MY HAT.
IT ALL FITS PERFECTLY.
YOU CAN'T DO THAT TRICK WITHOUT DROPPING OLIVES.
IT TAKES PRACTICE.
WHAT, TO SIT ON MY HAT?
NO, TO DROP AN OLIVE.
NOW, IF YOU'RE GOING TO BE ANGRY WITH ME,
WHAT CAN I DO? GO AWAY.
OH, NO. I WAS HERE FIRST.
THEN I'LL GO AWAY.
WELL, YOU...
WON'T YOU JUST TAKE THE OLIVE DISH?
NO, NO. IT'S ALL RIGHT.
I'LL SIT HERE. YOU DON'T MIND?
NOT AT ALL.
THIS IS RATHER DIFFICULT.
I CAN SEE THAT.
YOU KNOW, YOUR FACE IS FAMILIAR.
HAVEN'T WE MET SOMEWHERE?
NOT TO MY KNOWLEDGE.
I THINK YOU'RE WRONG. MY NAME'S SUSAN VANCE.
I'M DR. FRITZ LEHMAN.
OH, THAT'S ALL RIGHT. YOU CAN SIT DOWN.
I DON'T MIND AT ALL.
THANK YOU. YOU MAY HAVE HEARD ME LECTURE.
WHAT DO YOU LECTURE ABOUT?
I USUALLY TALK ABOUT NERVOUS DISORDERS.
I AM A PSYCHIATRIST.
OH, CRAZY PEOPLE!
WE DISLIKE THE USE OF THAT WORD.
ALL PEOPLE WHO BEHAVE STRANGELY ARE NOT INSANE.
IS THAT SO?
OH, WOULD YOU MIND IF I ASKED
YOUR PROFESSIONAL OPINION ABOUT SOMETHING?
NOT AT ALL.
WHAT WOULD YOU SAY ABOUT A MAN
WHO FOLLOWS A GIRL AROUND,
AND WHEN SHE TALKS TO HIM, HE FIGHTS WITH HER?
FIGHTS WITH HER? IS HE YOUR FIANCé?
OH, NO. I NEVER EVEN SAW HIM BEFORE TODAY.
OH.
NO, HE JUST FOLLOWS ME AND FIGHTS WITH ME.
WELL, THE LOVE IMPULSE IN MEN VERY FREQUENTLY REVEALS ITSELF
IN TERMS OF CONFLICT.
THE LOVE IMPULSE?
WITHOUT MY KNOWING ANYTHING ABOUT IT,
MY ROUGH GUESS WOULD BE THAT HE HAS A FIXATION ON YOU.
NO, WAIT A MINUTE! I CAN'T REMEMBER ALL THAT.
A FIXATION? THAT'S RIGHT.
THE LOVE IMPULSE IN MAN FREQUENTLY
REVEALS ITSELF IN TERMS OF...
CONFLICT. THAT'S RIGHT.
OH, I'M ETERNALLY GRATEFUL TO YOU.
YOU'RE ABSOLUTELY WONDERFUL.
THANK YOU VERY MUCH.
DO YOU KNOW WHY YOU'RE FOLLOWING ME?
YOU'RE A FIXATION.
OH, I'M NOT FOLLOWING YOU.
I HAVEN'T MOVED FROM THIS SPOT.
NOW, PLEASE, YOU'RE FOLLOWING ME.
OH, DON'T BE ABSURD. WHO'S ALWAYS BEHIND WHOM?
NOW, LOOK, MY DEAR YOUNG LADY,
I HAVEN'T BEEN BEHIND ANYTHING
BUT WHAT THEY CALL THE EIGHTBALL.
I HAVEN'T BEEN ALL DAY.
YOU'RE ANGRY, AREN'T YOU?
YES, I AM.
MM-HMM. THE LOVE IMPULSE IN MAN
FREQUENTLY REVEALS ITSELF IN TERMS OF CONFLICT.
EXCUSE ME? THE WHAT IMPULSE?
LOVE IMPULSE. SEE, THE TROUBLE WITH YOU--
NOW, LOOK--LOOK, ALL I'M TRYING TO DO
IS FIND THE GENTLEMAN WHOM, THANKS TO YOU,
I ABANDONED ON THE GOLF COURSE TODAY.
SAY, THIS ISN'T-- WHERE DO YOU SUPPOSE I--
HOLD THIS A MINUTE, PLEASE? I'LL BE RIGHT BACK.
YES.
MISSED.
I'M SORRY I WAS SO LONG.
THAT'S QUITE ALL RIGHT, MY DEAR.
I HAD A VERY ENTERTAINING CONVERSATION
WITH A YOUNG LADY WHO DOES TRICKS WITH OLIVES
WHEN SHE GETS IT RIGHT.
FRITZ, WHERE'S MY PURSE?
YOUR PURSE, DEAR? I THOUGHT YOU HAD IT WITH YOU.
NO, I LEFT IT RIGHT HERE ON THE TABLE.
MY DIAMOND PIN WAS IN IT.
OH, YOUR DIAMOND PIN!
YOU LOST A DIAMOND PIN, WE'RE GOING TO FIND IT.
EXCUSE ME.
WHY, THERE IT IS.
HUH? THANK YOU.
WHY, NO.
THIS IS MY PURSE. MY DIAMOND PIN'S IN IT.
WILL YOU PLEASE--
NO, I'M AFRAID SHE'LL BE VERY--
WILL YOU PLEASE HAND IT OVER?
GO AHEAD. DO SOMETHING ABOUT IT!
I DID THE TRICK.
YOU DID? GOOD.
UH-OH.
IT'S MADNESS FOR YOU TO SAY IT'S NOT MY WIFE'S.
YOU SEE--OH, THERE'S THE YOUNG LADY.
ISN'T THIS YOUR PURSE?
NO, THIS IS MINE.
JUST A MINUTE.
DIDN'T YOU GIVE ME THIS PURSE TO HOLD?
THAT'S RIGHT, I DID. I GAVE HIM THE PURSE.
THERE'S BEEN A MISTAKE. I LOST MY PURSE
AND I MUST'VE PICKED UP YOUR WIFE'S PURSE.
I WANTED HIM TO STAY HERE, SO I GAVE HIM YOUR WIFE'S PURSE
WHILE I LOOKED FOR MINE. I WAS COMING RIGHT BACK.
NOW, THAT'S ALL PERFECTLY CLEAR, ISN'T IT?
YES--NO, IT ISN'T.
HE'S GOING TO GIVE ME AN EXPLANATION.
NO, MY DEAR, SIR, IT NEVER WILL BE CLEAR
AS LONG AS SHE'S EXPLAINING IT.
JUST A MINUTE!
NO, HE'S INNOCENT.
NOW YOU HAVE YOUR WIFE'S PURSE,
I HAVE MY PURSE,
AND LOUIS HERE IS GOING TO EXPLAIN IT TO YOU,
AND EVERYTHING WILL BE ALL RIGHT.
NOW, PLEASE LISTEN TO ME. YOU CERTAINLY CAN'T THINK
I DID THAT INTENTIONALLY.
WELL, IF I COULD THINK, I'D HAVE RUN WHEN I SAW YOU.
NO, IF YOU'D ONLY WAIT WHILE I EXPLAIN,
I JUST GAVE YOU MY PURSE TO--
OH!
OH, YOU'VE TORN YOUR COAT.
WELL, NOW, I DIDN'T DO IT ON PURPOSE.
THAT'S NOT RIGHT. IT'S NOT MY FAULT.
I DIDN'T MEAN TO DO IT.
I JUST CAUGHT HOLD OF YOUR COAT TAIL--
LOOK... YES?
WILL YOU DO SOMETHING FOR ME?
A NEEDLE?
NO. IT'S SIMPLER THAN THAT.
LET'S PLAY A GAME.
OH? WHAT?
WELL, WATCH. I'LL PUT MY HAND OVER MY EYES,
AND THEN YOU GO AWAY. SEE? THEN I'LL COUNT TO 10,
AND WHEN I TAKE MY HAND DOWN, YOU WILL BE GONE.
ONE-- WELL, I LIKE THAT.
I WAS ONLY TRYING TO BE NICE.
THANK YOU. I--
OH, JUST A MINUTE!
YOU CAN'T TALK THAT WAY, THEN CRAWL OUT OF IT.
WHEN I'M MAD, I'M MAD.
LISTEN, SOMETHING HORRIBLE HAS HAPPENED.
WELL, DON'T TELL ME.
JUST GET OUT OF IT AS BEST YOU CAN.
AND PLEASE STOP FOLLOWING ME AROUND,
FIXATION OR NO FIXATION.
PLEASE STOP TALKING, SO I CAN TELL YOU--
WILL YOU PLEASE STOP CROWDING ME?
I'M JUST TRYING TO TELL YOU THAT YOU'VE TORN--
OH, NO, I DIDN'T.
WHY, IF YOU'D WAITED FOR MY EXPLANATION,
YOUR COAT WOULD STILL BE PERFECTLY ALL RIGHT.
OH!
WHAT IS THE MATTER WITH YOU?
WELL, YOU SEE, I--OH!
DO YOU REALIZE YOU'RE MAKING A PERFECT FOOL OF YOURSELF?
LOOK HERE, YOU CAN'T TELL ME THAT I TORE YOUR COAT.
THERE'S SUCH A THING AS BEING FAIR.
WILL YOU PLEASE STOP DOING THAT WITH YOUR HAT?
JUST STAND THERE, WILL YOU?
WHAT IN THE WORLD IS GOING ON?
OH, NO! PLEASE DON'T MOVE!
I'VE HAD ABOUT ENOUGH OF THIS!
LISTEN TO ME. LET'S GET OUT OF HERE.
JUST START WALKING. BELIEVE ME--
SO NOW YOU WANT TO WALK.
I'M QUITE SURE THAT I DON'T WANT TO WALK WITH YOU.
YOU'VE MADE A PERFECT SPECTACLE OF YOURSELF.
HAVE YOU FINISHED?
OH, YES, YES, YES.
THANK YOU.
OH! OH! OH!
DON'T JUST STAND THERE. DO SOMETHING.
OH, MY GOODNESS. GET BEHIND ME.
I AM BEHIND YOU. GET CLOSER.
I CAN'T GET ANY CLOSER.
ARE YOU READY? LEFT FOOT FIRST.
ALL RIGHT.
[LAUGHTER]
KEEP GOING STRAIGHT OUT THE DOOR.
I HAVE TO MEET SOMEBODY HERE. THERE HE IS.
DON'T YOU DARE LEAVE ME.
I'LL BE RIGHT WITH YOU.
I'LL BE WITH YOU IN A MINUTE, SIR!
I'LL SEE YOU IN A MINUTE.
SO, YOU SEE, MISS VANCE,
IT'S VERY IMPORTANT THAT I MEET THIS MAN
IN ORDER TO EXPLAIN TO HIM WHAT HAPPENED,
ALTHOUGH EVEN IF I SAW HIM I WOULDN'T KNOW WHAT TO SAY.
WELL, IT'S PERFECTLY SIMPLE.
JUST TELL HIM YOU MET SOMEONE
THAT YOU KNEW AND WERE DETAINED.
YEAH, I CAN PICTURE MYSELF EXPLAINING OUR EXIT
FROM THE RITZ-PLAZA HOTEL TO MR. PEABODY.
BUT IT'S NOT BOOPIE THAT YOU'RE TRYING TO SEE?
YES--NO. HIS NAME'S PEABODY.
ALEXANDER PEABODY, BUT THAT'S BOOPIE,
AND I KNOW HIM WELL.
I WAS GOING TO HAVE SUPPER WITH HIM TONIGHT.
HE'LL DO ANYTHING I ASK HIM TO.
I CAN WRAP HIM AROUND MY LITTLE FINGER. HERE!
NOW, YOU PUT ON YOUR COAT, AND WE'LL GO
OVER TO THE RITZ AND CATCH HIM
BEFORE HE'S FINISHED DINNER.
I'D BETTER GO THERE ALONE.
IF WE MISS HIM THERE, WE'LL GO OUT TO RIVERDALE.
I COULDN'T SPEND THAT MUCH TIME.
RIVERDALE'S ONLY HALF AN HOUR AWAY.
YES, BUT I HAVE TO GO TO CARNEGIE HALL
TO MEET MISS SWALLOW.
MISS SWALLOW?
YES. I'M ENGAGED TO MISS SWALLOW.
ENGAGED TO BE MARRIED?
THAT'S RIGHT.
WELL, THAT'S NICE.
THEN SHE WON'T MIND WAITING, WILL SHE?
WELL, I WOULDN'T LIKE TO KEEP HER WAITING.
IF I WERE ENGAGED TO YOU, I'D WAIT FOREVER.
YES, BUT IT WOULDN'T BE RIGHT TO LEAVE HER--
WELL, I FINALLY GOT YOU HERE, DIDN'T I?
OH, YES.
SUSAN? HMM?
DO THEY BUILD ALL THE HOUSES IN RIVERDALE ALIKE?
NO, I DON'T THINK SO. WHY?
WELL, BECAUSE IF THEY DON'T,
WE'VE PASSED THIS ONE 6 TIMES IN THE LAST HOUR.
BUT, DAVID, IT WAS SUCH A LOVELY NIGHT FOR A DRIVE.
COME ON. OH, DEAR.
WELL, THERE AREN'T ANY LIGHTS IN THE WINDOWS.
MR. PEABODY MUST HAVE GONE TO BED.
OH, NO, HE COULDN'T HAVE. IT'S TOO EARLY.
OH, I DON'T KNOW.
IF THEY EXPECTED YOU, THEY COULD,
WITH THE COVERS OVER THEIR HEADS.
NOW, DAVID, IF YOU DON'T STOP NAGGING,
I WON'T HELP YOU ARRANGE MATTERS WITH BOOPIE.
WELL, SOMEHOW, I HAVE A FEELING
IT MIGHT BE BETTER IF YOU DIDN'T.
WHY? WELL...
I DON'T THINK WE OUGHT TO DO THIS, SUSAN.
GEE, IF WE WAKE HIM UP, HE'LL BE IRRITABLE.
I DON'T THINK IT'S GOING TO WORK,
BUT I KNOW WHERE BOOPIE SLEEPS.
OH, NO!
SUSAN, YOU CAN'T CLIMB IN A MAN'S BEDROOM WINDOW.
I KNOW. IT'S ON THE SECOND FLOOR.
BOOPIE! HEY! BOOPIE!
SUSAN, PLEASE. IT'S TOO LATE NOW.
YOU CAN'T WAKE HIM UP.
OH, CAN'T I?
WHAT ARE YOU DOING?
PEBBLES. WHAT FOR?
IF YOU THROW PEBBLES AGAINST A WINDOW,
THE PEOPLE THINK IT'S HAIL,
AND THEN THEY CLOSE THE WINDOW.
OH!
OH, I KNOW WE OUGHT TO GO NOW,
BUT SOMEHOW I CAN'T MOVE.
I GUESS THEY WEREN'T BIG ENOUGH.
YE--WELL, NOW...
WHAT?
OH, HERE'S A PIP.
JUST A MINUTE! OH!
JEEPERS! LET'S GET OUT OF HERE!
NOW, DON'T WORRY, DAVID.
EVERYTHING'S GOING TO BE ALL RIGHT.
AND TOMORROW WHEN BOOPIE'S CALMED DOWN,
WE'LL GO SEE HIM TOGETHER.
NOW JUST A MOMENT, SUSAN.
DON'T THINK THAT I DON'T APPRECIATE ALL YOU'VE DONE.
IT WAS NOTHING, DAVID, REALLY.
BUT THERE ARE LIMITS TO WHAT A MAN CAN BEAR.
BESIDES, TOMORROW AFTERNOON I'M GETTING MARRIED.
HA HA HA! WHAT FOR?
WELL, BECAUSE--
WELL, ANYWAY, I'M GOING TO GET MARRIED, SUSAN.
AND DON'T INTERRUPT. NO.
NOW, MY FUTURE WIFE HAS ALWAYS REGARDED ME
AS A MAN OF SOME DIGNITY.
PRIVATELY, I'M CONVINCED THAT I HAVE SOME DIGNITY.
NOW, IT ISN'T THAT I DON'T LIKE YOU, SUSAN,
BECAUSE AFTER ALL, IN MOMENTS OF QUIET,
I'M STRANGELY DRAWN TOWARDS YOU,
BUT, WELL, THERE HAVEN'T BEEN ANY QUIET MOMENTS.
OUR RELATIONSHIP HAS BEEN A SERIES OF MISADVENTURES
FROM BEGINNING TO END. SO IF YOU DON'T MIND,
I'LL SEE MR. PEABODY ALONE AND UNARMED.
WITHOUT ME? YES, WITHOUT YOU,
AND DEFINITELY WITHOUT YOU.
NOW, SUSAN, I'M GOING TO SAY GOOD NIGHT.
AND I HOPE THAT I NEVER SET EYES ON YOU AGAIN.
GOOD NIGHT.
YES, I DID SEE MR. PEABODY, BUT I DIDN'T SEE HIM.
WELL, THAT IS, I DIDN'T SEE HIM REALLY.
YES, I SPOKE TO HIM TWICE, BUT I DIDN'T TALK TO HIM.
DAVID, I DON'T UNDERSTAND. DID YOU SEE HIM OR DIDN'T YOU?
[DOORBELL BUZZES]
WELL...NO. I--I DON'T KNOW.
[BUZZ]
HOW DO I KNOW? WELL, BECAU--
BECAU--WELL, THERE'S SOMEONE AT THE DOOR.
YOU SEE, THERE ARE SOME THINGS
THAT ARE VERY HARD TO EXPLAIN, ALICE,
AND AS SOON AS I, UH...
YES, ALICE. OH, NOW, ALICE,
BEFORE WE'RE MARRIED THIS AFTERNOON,
THERE'S ONE THING WE MUST HAVE CLEAR--
I DON'T WANT ANY WOMAN INTERFERING WITH MY AFFAIRS.
IT'S FATAL.
THAT'S THE STUFF, BUDDY.
WHAT DO YOU WANT?
DR. HUXLEY? YES.
SIGN HERE.
OH, JUST A MINUTE, ALICE. I HAVE TO--
OH! OH, ALICE!
ALICE, IT'S ARRIVED!
THE INTERCOSTAL CLAVICLE.
YES, ISN'T THAT WONDERFUL?
ISN'T THAT A MARVELOUS WEDDING PRESENT?
THANK YOU.
YOU SEE, I'M GOING TO BE MARRIED THIS AFTERNOON.
DON'T LET IT THROW YOU, BUDDY.
YES, ALICE. YES, ISN'T IT GREAT?
OH, ALICE, I'M SO EXCITED.
I'LL TELL YOU WHAT YOU DO.
GO ON DOWN TO THE MUSEUM.
I'LL MEET YOU DOWN THERE RIGHT AWAY.
YES, DEAR. GOOD-BYE.
[RING]
HELLO? OH, IT'S YOU.
WELL, I CAN'T HEAR YOU VERY WELL.
COME CLOSER TO THE TELEPHONE.
I SAID GOOD MORNING, DAVID.
DO YOU WANT A LEOPARD?
LEOPARD? WHY SHOULD I WANT A LEOPARD?
WHY SHOULD I? BUT I'VE GOT ONE.
SUSAN, WHERE WOULD YOU GET A LEOPARD?
WELL, I WOULDN'T GET A LEOPARD, DAVID.
MY BROTHER MARK GOT HIM.
HE'S HUNTING IN BRAZIL, AND HE CAUGHT HIM.
OH, OF COURSE. IT'S A STUFFED LEOPARD.
OF COURSE NOT. WHY SHOULD MY BROTHER MARK
BE HUNTING STUFFED LEOPARDS IN BRAZIL--
YOU STOP THAT--
WHEN HE CAN FIND THEM RIGHT HERE IN NEW YORK?
WELL... [PURRING]
DAVID, IT'S LUCKY I MET YOU YESTERDAY,
BECAUSE YOU'RE THE ONLY ZOOLOGIST I KNOW.
WELL, OF COURSE I KNOW WHAT A ZOOLOGIST IS.
GET OUT OF HERE. NO, NO, NOT YOU, DAVID.
OH, BABY, GET BACK INTO THAT BATHROOM.
YOU'RE MAKING A NUISANCE OF YOURSELF.
NO, NOT YOU, DAVID.
NO. I WANT YOU TO COME RIGHT OVER.
OH, DAVID, DON'T BE IRRELEVANT.
THE POINT IS-- I HAVE A LEOPARD.
THE QUESTION IS--WHAT AM I GOING TO DO WITH IT?
WELL, SUSAN, I REGRET TO SAY
THE LEOPARD IS YOUR PROBLEM.
YOU MEAN YOU REFUSE TO HELP ME?
BUT, DAVID, YOU CAN'T DO THAT.
YOU CAN'T LEAVE ME ALONE WITH A LEOPARD.
NOW, I'LL COME AND GET YOU IN MY--
SUSAN! WHAT HAPPENED?
IS IT THE LEOPARD?
NO, NO. NOTHING HAPPENED TO ME, DAVID.
I JUST--I MEAN... THE LEOPARD!
DAVID, THE LEOPARD!
HERE HE--
CAN YOU HEAR ME, SUSAN?
OHH!
SUSAN! OHH! OH!
OHH!
SUSAN! SUSAN, BE BRAVE!
BE BRAVE! I'LL BE RIGHT THERE!
HOLD ON THERE, SUSAN!
SUSAN! CAN YOU HEAR ME?
I'LL BE THERE, SUSAN!
OH...
SUSAN!
[BANGING ON DOOR]
SUSAN!
YES, YES, YES, YES, YES.
SUSAN! UH...
YES, DAVID.
OH, YOU'RE ALL RIGHT.
YES, I'M ALL RIGHT.
YOU LIED TO ME!
NO. WELL, JUST A LITTLE.
TELLING ME A RIDICULOUS STORY ABOUT A LEOPARD.
I HAVE A LEOPARD IN THERE.
WHERE? I DON'T BELIEVE YOU, SUSAN.
I'VE BEEN THE VICTIM
OF YOUR UNBRIDLED IMAGINATION ONCE MORE.
CHASING ALL THE WAY--AAH!
THAT'LL TEACH YOU TO GO AROUND
SAYING THINGS ABOUT PEOPLE.
SUSAN, YOU'VE GOT TO GET OUT OF THIS APARTMENT.
BUT, DAVID, I CAN'T. I HAVE A LEASE.
YOU'VE GOT TO GET THIS THING OUT OF HERE.
DON'T WORRY ABOUT HIM. WHAT ARE YOU GOING TO DO?
CALL THE ZOO.
NO! YOU CAN'T, DAVID!
THAT'S THE MEANEST THING I EVER HEARD.
HE'S A PET. HE'D BE MISERABLE IN A ZOO.
FROM MY BROTHER MARK FROM BRAZIL.
"DEAR SUSAN, I'M SENDING YOU BABY--"
THAT'S BABY.
"...LEOPARD I PICKED UP. GUARD HIM WITH YOUR LIFE.
"HE'S 3 YEARS OLD, GENTLE AS A KITTEN,
AND HE LIKES DOGS." DOES MARK MEAN
THAT HE EATS DOGS OR IS FOND OF THEM?
MARK'S SO VAGUE AT TIMES.
"HE ALSO LIKES MUSIC, PARTICULARLY THAT SONG,
I CAN'T GIVE YOU ANYTHING BUT LOVE, BABY."
THAT'S ABSURD!
NO, IT ISN'T, DAVID. REALLY. LISTEN.
THIS IS THE SILLIEST THING THAT'S HAPPENED TO ME.
IT'S SILLY BUT TRUE. HE ABSOLUTELY ADORES THE TUNE.
WHAT'S THE DIFFERENCE WHETHER IT ADORES IT?
IT'S FUNNY THAT HE'D LIKE SUCH AN OLD TUNE,
BUT DOWN IN BRAZIL, THEY--
OH, STOP IT, SUSAN.
OH, DAVID, LET ME SHOW HIM TO YOU.
OH, DON'T GO NEAR THE DOOR!
OH, DEAR, DEAR, DEAR.
AW.
WATCH, DAVID. HE'LL GO RIGHT TOWARD THE MUSIC.
LOOK AT THAT. ISN'T THIS REMARKABLE?
IT LOVES IT, DAVID.
IF WE PUT THE VICTROLA IN THE BATHROOM,
WILL IT GO BACK IN?
OH, YES, BUT THE MUSIC SOUNDS BETTER OUT HERE.
BESIDES, HE LIKES IT.
OH, HERE IT COMES.
NOW GO AWAY! OH, PLEASE GO AWAY!
GO AWAY! I BETTER GET OUT OF HERE.
OH, SUSAN, I DON'T LIKE LEOPARDS.
JUST THINK OF HIM AS A HOUSE CAT.
I DON'T LIKE CATS EITHER.
STAND STILL, DAVID. DON'T BE NERVOUS.
MAKE HIM STAND STILL!
DON'T BE SILLY, DAVID.
YOU CAN'T MAKE A LEOPARD STAND STILL.
SUSAN, DO SOMETHING. TURN OFF THAT VICTROLA.
I DON'T THINK IT'S THE MUSIC.
I THINK IT'S YOU.
DAVID, I THINK YOU'VE FOUND A REAL FRIEND.
ISN'T IT AFFECTIONATE, JUST LIKE A BABY KITTEN?
IT'S TAKEN SUCH A LIKING TO YOU.
IT WOULD FOLLOW YOU ANYWHERE.
WE'LL HAVE NO TROUBLE TAKING IT TO CONNECTICUT.
CONNECTICUT?
MY FARM IN WESTLAKE, CONNECTICUT.
I'M NOT GOING TO WESTLAKE, CONNECTICUT.
BUT, DAVID--
I WON'T BE INVOLVED IN YOUR HAREBRAINED SCHEMES!
IMAGINE AUNT ELIZABETH COMING HERE,
RUNNING SMACK INTO A LEOPARD.
I WOULDN'T GET MY MILLION DOLLARS.
IF YOUR AUNT WOULDN'T GIVE YOU $1 MILLION
AFTER FINDING A LEOPARD IN YOUR APARTMENT,
WHAT WOULD YOU DO?
I DON'T KNOW.
YOU HAVE TO HELP ME.
THERE ARE ONLY 2 THINGS I HAVE TO DO--
FINISH MY BRONTOSAURUS AND GET MARRIED AT 3:00.
GO ON, QUITTER.
WELL, IT'S NO GOOD CALLING ME NAMES,
BECAUSE I WON'T ARGUE WITH YOU ANYMORE.
I DON'T WANT ANYTHING TO DO WITH A LEOPARD.
GO ON, BABY, DOWN THE STAIRS.
GOOD MORNING.
GOOD MORNING, PROFESSOR.
GOOD MORNING. OH.
YOU'D BETTER CHANGE YOUR MIND
ABOUT COMING TO CONNECTICUT.
SUSAN, WE SETTLED THAT QUESTION ONCE AND FOR ALL.
BUT WHAT--WHAT ABOUT MY LEOPARD?
HMM. THAT'S YOUR PROBLEM.
IT'S NOT ALL MY PROBLEM.
SUSAN, WILL YOU PLEASE GO AWAY?
ALL RIGHT, DAVID, SINCE HE LIKES YOU SO MUCH,
I'VE DECIDED TO GIVE HIM TO YOU.
I WON'T TAKE HIM.
HA HA! YOU'VE GOT HIM.
[GROWLS]
OH! OH!
SU-SU-SUSAN, DON'T GO AWAY!
I'VE GOT THE LEOPARD!
SUSAN!
OH, DEAR, LOOK AT THIS.
DAVID, ALL I WAS DOING WAS DRIVING ALONG.
YOU WERE STANDING ON THE SIDEWALK,
YELLING, AND LOOKING VERY SILLY.
YOU KNOW VERY WELL YOU TRICKED ME INTO THIS TRIP.
AH, LOOK. LOOK. EATING YOUR CAR.
OH! LOOK AT THE ROAD!
OH, DEAR. I HAVE A FEELING
SOMETHING HORRIBLE'S GOING TO HAPPEN.
OH, NO, DAVID.
EVERYTHING'S GOING TO BE ALL RIGHT.
I DON'T CARE ANYMORE.
OH!
[PURR]
HELLO.
WHAT'S THE MATTER, DID YOU GET LONELY?
IF YOU KNOW ANY SHORTCUTS, PLEASE TAKE THEM.
WE'LL BE THERE IN NO TIME, REALLY.
BECAUSE ALL I WANT TO DO IS DELIVER THIS LEOPARD,
TAKE THE FIRST TRAIN BACK TO TOWN,
AND FORGET THE LAST 24 HOURS EVER HAPPENED.
OH, NOW, WHAT'S WRONG WITH THE LAST 24 HOURS?
I'VE HAD A WONDERFUL TIME.
SUSAN, I DON'T KNOW.
YOU LOOK AT EVERYTHING UPSIDE-DOWN.
I'VE NEVER KNOWN ANYONE QUITE LIKE YOU.
YOU'VE JUST HAD A BAD DAY, THAT'S ALL.
OH, THAT'S A MASTERPIECE OF UNDERSTATEMENT.
NOW, LOOK...
WELL, I CAN'T DISCUSS ANYTHING WITH YOU
WITH BABY BREATHING DOWN THE BACK OF MY NECK.
HEY, HEY. GET DOWN. GO ON.
GO ON, GO ON. NOW LIE DOWN.
SUSAN, DUCK!
AAH! OH!
OH! OH, NO!
NEVER HANG ON TO A LEOPARD'S TAIL, SUSAN!
SING, DAVID!
♪ I CAN'T GIVE YOU ANYTHING ♪
♪ BUT LOVE, BABY ♪
♪ THAT'S THE ONLY THING ♪
♪ I'VE PLENTY OF, BABY ♪
Susan: WELL, ANYWAY, DAVID, I STILL INSIST
THAT HE WAS RIGHT IN THE MIDDLE OF THE ROAD.
I'VE NEVER HIT ANYTHING THAT WAS IN THE RIGHT PLACE.
THAT WAGON WAS ON THE SIDE OF THE ROAD.
CERTAINLY WAS NOT. IT WAS STRAIGHT AHEAD OF ME,
AND THAT'S WHY I BUMPED INTO IT.
WHAT TIME IS IT?
DAVID, WE'LL BE THERE IN NO TIME.
WE JUST HAVE TO STOP AND GET SOME MEAT FOR BABY.
WH...WHY...
HE'S ALREADY HAD AN ASSORTMENT OF DUCKS AND CHICKENS,
NOT TO MENTION A COUPLE OF SWANS.
ALL FEATHERS.
YEAH, WELL, VERY EXPENSIVE FEATHERS.
BUT I DON'T SEE HOW ANY PAIR OF SWANS COST $150.
THAT WAS A GYP.
WELL, IF YOU'D RUN, AS I TOLD YOU TO,
WE SHOULDN'T HAVE HAD TO PAY FOR THEM.
SUSAN, WHEN A MAN IS WRESTLING A LEOPARD
IN THE MIDDLE OF A POND, HE'S IN NO POSITION TO RUN.
THERE IT IS, DAVID. PLEASE HURRY UP.
SUSAN! WHY, OF ALL PLACES,
WHEN YOU HAVE A LEOPARD IN THE CAR,
DID YOU STOP IN A TOWN WHERE THERE'S A CIRCUS?
DAVID, I DIDN'T STOP BECAUSE THERE'S A CIRCUS,
BUT BABY WILL BE HUNGRY AND WE HAVE TO FEED HIM.
NOW, PLEASE HURRY, DAVID.
IF BABY WAKES UP, WE'LL BE IN REAL TROUBLE.
I DON'T SUPPOSE IT MAKES ANY DIFFERENCE TO YOU,
BUT YOU'RE PARKED IN FRONT OF A FIREPLUG.
MM-HMM. I KNOW IT. DON'T WORRY.
I'LL TAKE CARE OF EVERYTHING.
ALL RIGHT. YOU GO AHEAD.
50...$1.00. THANK YOU.
YES, SIR. WHAT CAN I DO FOR YOU?
I WANT 30 POUNDS OF SIRLOIN STEAK, PLEASE.
DID YOU SAY 30 POUNDS?
YES, THAT'S RIGHT, 30 POUNDS.
HOW WILL YOU HAVE IT CUT?
OH, JUST IN ONE PIECE.
YOU GOING TO ROAST OR BROIL IT?
NEITHER. IT'S GOING TO BE EATEN RAW.
YEAH.
[WHISTLING]
HEY, UH, LADY. HUH?
THAT'S A FIREPLUG.
I KNOW IT.
IT'S AGAINST THE LAW TO PARK ALONGSIDE A FIREPLUG.
I KNOW IT.
COME HERE.
WHO, ME? WHY?
I AM CONSTABLE SLOCUM.
OH...IS THAT SO?
HOW DO YOU DO? I'M SUSAN VANCE.
HOW DO YOU DO? LISTEN, I DON'T CARE WHO YOU ARE,
I JUST WANT TO LET YOU KNOW
THAT YOU CAN'T PARK ALONGSIDE A FIREPLUG.
YES, WELL, I WAS JUST WATCHING THE PARADE.
OH, YOU WERE?
I SUPPOSE YOU GET FREE SEATS TO THE CIRCUS.
WELL, ELMER AND I USUALLY--
LISTEN, YOUNG LADY, THAT HAS NOTHING TO DO WITH IT.
I'M GOING TO GIVE YOU A TICKET.
OH, THANK YOU! I'D LOVE TO GO TO THE CIRCUS,
BUT YOU BETTER KEEP IT. I'M BUSY TONIGHT.
IT AIN'T THAT KIND OF A TICKET.
OH, JEEPERS.
YOUNG LADY, IT MIGHT INTEREST YOU
TO KNOW THAT YOU'RE UNDER ARREST.
OH, WELL-- I MEAN, WHY?
FOR PARKING ALONGSIDE A FIREPLUG.
OH, I'M NOT PARKED NEXT TO A FIREPLUG.
YOU AREN'T? WELL, WHAT DO YOU CALL THAT?
OH, YOU THINK THAT THIS IS MY CAR.
WELL, AIN'T IT?
NO. THAT'S MY CAR.
WHY DIDN'T YOU SAY SO IN THE FIRST PLACE?
WELL, YOU DIDN'T ASK ME.
OH...WELL.
SAY, DO YOU GRIND THIS UP BEFORE YOU EAT IT?
OH, THIS ISN'T FOR ME. IT'S FOR BABY.
I--WHO?
HURRY UP, DAVID! GET IN!
BUT--BUT--BUT-- JUMP ON!
THAT ISN'T YOUR CAR!
NO, BUT IT'S MY LEOPARD!
HEY, WAIT A MINUTE! THAT'S MY CAR!
WHAT ARE YOU YELLING ABOUT?
THEY STOLE MY CAR.
LAST NIGHT, SHE TRIED TO STEAL MY WIFE'S PURSE.
DON'T STAND THERE. DO SOMETHING! CATCH THEM!
WELL, ELMER, BLESS ME.
HEY! BRING BACK THAT CAR!
♪ I'M GLAD WE FINALLY GOT HERE ♪
♪ ISN'T IT WONDERFUL ♪
♪ WE COULD PUT HIM IN THAT BOX ♪
♪ DON'T OPEN THE DOOR UNTIL YOU CLOSE THOSE ♪
♪ I THINK THAT IS A GOOD IDEA, TOO ♪
♪ I HOPE HE WON'T GET OUT ♪
♪ OPEN THAT DOOR, AND I'LL OPEN THIS ONE ♪
♪ NOW, HE'LL JUST WALK ALONG, I HOPE ♪
♪ COME ON, BABY, AND GO IN THE STALL ♪
♪ COME ON, BABY ♪
♪ RIGHT IN THERE, RIGHT IN THERE ♪
♪ RIGHT IN THERE ♪
♪ NOW EVERYTHING IS QUITE ALL RIGHT ♪
♪ EVERYTHING IS NOT ALL-- ♪
EVERYTHING IS NOT ALL RIGHT, SUSAN.
I'VE GOT TO GET BACK TO NEW YORK.
DAVID, NO SOONER THAN ONE THING'S SETTLED,
THEN YOU START WORRYING ABOUT SOMETHING ELSE.
MY HEAVENS, SUSAN, ONE OF US SHOULD WORRY!
BECAUSE ON TOP OF THIS, WE'VE STOLEN A CAR!
I'LL SEND IT BACK. I DON'T LIKE IT ANYWAY.
I SUPPOSE YOU'D LIKE ME TO LEAVE IT WITH THE CONSTABLE
ON MY WAY BACK TO NEW YORK?
NO, YOU MIGHT BE ARRESTED. IT'S A HOT CAR.
I KNOW. YOU'RE GOING TO FILE THE NUMBERS OFF THE ENGINE.
NO, THAT WOULD BE DISHONEST.
I'LL HAVE THE GARDENER TAKE IT BACK AFTER DARK.
WAIT! YOU'RE SHEDDING!
NOW, WHERE IS A TELEPHONE?
OUT THAT DOOR.
THAT'S ALL I WANT TO KNOW. THANK YOU.
DAVID, WHAT I WANT TO SUGGEST IS--
SUSAN, I DON'T WANT ANY MORE SUGGESTIONS.
MY FIANCéE IS WAITING FOR ME IN NEW YORK.
I HAVE TO GET TO NEW YORK!
DAVID, I WANT YOU TO BE MARRIED,
I THINK EVERY MAN SHOULD BE MARRIED,
BUT I DON'T THINK THAT ANY SELF-RESPECTING GIRL
WILL MARRY YOU LOOKING THE WAY YOU DO.
WHERE'S THE TELEPHONE?
IN THERE. LOOK AT YOURSELF!
WHAT'S THE MATTER WITH ME?
OH, I AM DIRTY, AREN'T I?
SEE? WHAT I WANT TO SUGGEST IS--
THE ONLY WAY I'LL FOLLOW ANOTHER OF YOUR SUGGESTIONS
IS TO HOLD A BRIGHT OBJECT
IN FRONT OF MY EYES AND TWIRL IT.
YES, I UNDERSTAND THAT. I SIMPLY WANTED TO SUGGEST--
I DON'T WANT ANY SUGGESTIONS. I JUST WANT TO CLEAN UP.
WHERE IS A SHOWER, PLEASE?
I WAS GOING TO SUGGEST A SHOWER.
HUH? OH.
HANNAH.
YES, MISS SUSAN?
I WANT YOU TO SEND THESE INTO TOWN
AND HAVE THEM CLEANED AND PRESSED.
WHY SEND THEM INTO TOWN? I CAN DO THEM HERE.
DON'T ARGUE WITH ME, HANNAH. INTO TOWN.
IT'LL TAKE A LOT LONGER.
OH, THERE'S NO HURRY, NO HURRY AT ALL.
HURRY UP, DAVID.
I AM HURRYING!
DAVID? WHAT?
WHAT'S IN THE BOX?
WHAT? IN THE BOX?
OH, THAT'S THE INTERCOSTAL CLAVICLE OF A BRONTOSAURUS.
OH, REALLY?
OHH, IT'S JUST AN OLD BONE.
YES, SUSAN, IT'S JUST AN OLD BONE.
PUT IT DOWN GENTLY AND GO AWAY.
ALL RIGHT, DAVID.
IS THERE ANYTHING ELSE I CAN DO FOR YOU?
YES. HAND ME MY CLOTHES, WILL YOU?
OH, THEY AREN'T HERE. THEY'RE BEING PRESSED.
WHAT?!
THE GARDENER'S TAKEN THEM INTO TOWN.
STOP HIM! I CAN'T WAIT. I MUST LEAVE IMMEDIATELY.
YOU CAN'T LEAVE WITHOUT CLOTHES.
WELL, I KNOW THAT.
WHERE ARE YOU GOING?
I'M GOING TO TAKE A SHOWER.
SUSAN! DON'T LEAVE ME HERE LIKE THIS!
DON'T BE IMPATIENT, DAVID.
WE'LL TALK OVER AFTER I'M FINISHED.
EVERYTHING'S GOING TO BE ALL RIGHT.
HA! EVERYTHING'S GOING TO BE ALL RIGHT.
OH, CERTAINLY, EVERYTHING'S GOING TO BE ALL RIGHT.
OH, I'M LOSING MY MIND, THAT'S ALL.
ROAMING AROUND CONNECTICUT WITHOUT ANY CLOTHES ON.
I'M GOING CRAZY.
HOW CAN ALL THESE THINGS HAPPEN TO JUST ONE PERSON?
SUSAN? SUSAN? SUSAN?
SUSAN, WHERE ARE YOU?
HUH?
SUSAN, COME OUT AND HELP ME FIND SOME CLOTHES,
OR MUST I COME IN AND GET YOU?!
OH, DAVID, YOU WOULDN'T.
OH, YES, I WOULD!
WELL, MAYBE I WOULDN'T.
SUSAN, WHERE'S THE GARDENER'S ROOM?
WHY?
BECAUSE HE MUST HAVE SOME CLOTHES.
WHAT? I CAN'T HEAR YOU.
YOU CAN HEAR WHAT YOU WANT TO HEAR!
NO, REALLY, I CAN'T. WHAT DID YOU SAY?
I SAID-- OH, NEVER MIND.
I'LL FIND THE PLACE MYSELF.
THE GARDENER MUST HAVE CLOTHES.
CLOTHES ARE CLOTHES.
THE GARDENER'S IN TOWN.
HE COULDN'T HAVE TAKEN ALL HIS CLOTHES!
OH, YES, HE COULD.
OF ALL THE CONCEITED, SPOILED SCATTERBRAINS...
MY GOODNESS, THE MAN--
[BUZZER]
THE MAN WHO GETS YOU
WILL HAVE A LIFETIME OF MISERY!
"EVERYTHING'S GOING TO BE ALL RIGHT."
WHAT DO YOU WANT?
WHO ARE YOU?
WHAT DO YOU WANT?
WELL, WHO ARE YOU?
I'M NOT QUITE MYSELF TODAY.
YOU LOOK PERFECTLY IDIOTIC IN THOSE CLOTHES.
THESE AREN'T MY CLOTHES.
WELL, WHERE ARE YOUR CLOTHES?
I'VE LOST MY CLOTHES.
WHY ARE YOU WEARING THESE CLOTHES?
BECAUSE I JUST WENT GAY ALL OF A SUDDEN!
EXCUSE ME. I'M SORRY.
NOW, SEE HERE, YOUNG MAN, STOP THIS NONSENSE.
WHAT ARE YOU DOING?
I'M SITTING IN THE MIDDLE OF 42nd STREET
WAITING FOR A BUS.
[ARF ARF ARF]
JUST GO AWAY, SHOO!
GO AWAY!
BAH!
WHO IS THIS MAN?
I DON'T KNOW.
STOP IT, GEORGE! WHAT'S HE DOING HERE?
I DON'T KNOW.
SUSAN! SUSAN, COME BACK HERE.
STOP IT, GEORGE. SUSAN, COME HERE.
AUNT ELIZABETH, MY DEAR,
I'VE NEVER BEEN SO THRILLED IN MY LIFE.
THIS IS AMAZING TO SEE YOU HERE
AND GEORGE. DEAR LITTLE GEORGE.
WHAT MADE YOU COME OUT HERE?
QUIET, GEORGE!
NOW, STOP GUSHING! WHO IS THIS MAN?
I--
WHERE'D YOU GET HIM?
HE'S A FRIEND OF MARK'S.
SUSAN BROUGHT ME.
I DON'T DOUBT IT, BUT WHY?
I HAD A LETTER FROM MARK FROM BRAZIL.
HE SAID DAVID WAS AN OLD, OLD FRIEND,
THAT HE'D BEEN WORKING VERY, VERY HARD IN TOWN,
WHO WAS ON THE POINT OF HAVING A NERVOUS BREAKDOWN.
OH, NOW I'M A NUT FROM BRAZIL.
WELL, HE'S VERY EXCITABLE. HE MUST BE ALLOWED--
WHERE ARE HIS CLOTHES?
WELL, SUSAN TOOK THEM.
WHAT'S HE DOING IN THAT THING?
MARK SAID HE SHOULD BE ALLOWED
TO WEAR A NEGLIGEE IF HE WANTS TO.
NO TELLING WHAT'LL HAPPEN IF HE DOESN'T HAVE HIS OWN WAY.
DOES HE WANT TO WEAR THOSE CLOTHES?
NO, I DON'T WANT TO WEAR THIS! I JUST WANT TO GET MARRIED!
SUSAN, I FORBID IT!
I ABSOLUTELY PUT MY FOOT DOWN.
THE VERY IDEA-- YOU MARRYING A MAN
YOU HARDLY KNOW ANYTHING ABOUT!
I TELL YOU, I WILL NOT HAVE IT.
[ARGUING AND DOG BARKING]
QUIET!
PLEASE LISTEN!
QUIET!
DON'T TALK SO MUCH. OW!
PERHAPS YOU COULD HELP ME.
PERHAPS YOU COULD HELP ME FIND SOME CLOTHES.
WHY, YES. YES.
THERE MUST BE SOME OF MARK'S THINGS AROUND...
SOMEWHERE. AREN'T THERE SOME--
ARE THERE?
WELL...WELL...
OH, YES. THERE ARE SOME IN MR. MARK'S ROOM.
WHICH IS MR. MARK'S ROOM?
WELL, IT'S THE END, SIR.
YES, SIR.
THANK YOU. THANK YOU.
[ARF ARF]
GO AWAY. GO AWAY.
GO AWAY.
GO AWAY. GO AWAY.
[ARF ARF]
OH, GO AWAY.
HE LOVES ME. HE LOVES ME NOT.
HE LOVES ME, HE LOVES ME NOT.
HE LOVES ME. DAVID! WHERE DID HE GO?
HE WENT TO GET SOME CLOTHES.
IF HE GETS CLOTHES, HE'LL GO AWAY.
HE'S THE ONLY MAN I'VE EVER LOVED.
DAVID!
WHAT WILL I DO WITHOUT DAVID?
OH, STOP IT, GEORGE. GET AWAY FROM ME.
[ARF ARF ARF]
OH, GEORGE, PLEASE BE QUIET.
[ARF ARF ARF]
DAVID? WHAT?
CAN I COME IN?
I DON'T CARE WHAT YOU DO!
THANKS. WHERE ARE YOU?
HERE I AM. WHAT DO YOU WANT?
OH, JEEPERS!
GO ON AND LAUGH.
I KNOW IT LOOKS RIDICULOUS, BUT I'M PAST CARING!
NO, I DON'T MEAN IT. WHAT ARE YOU GOING TO DO?
WHAT I'VE BEEN TRYING TO DO-- GET BACK TO NEW YORK!
DAVID, YOU CAN'T GO DRESSED THAT WAY.
THEY'RE ALL I COULD FIND. CLOTHES ARE CLOTHES.
I'M GOING BACK TO NEW YORK, IF ONLY TO REPAIR THE DAMAGE
THAT'S BEEN DONE SINCE I'VE KNOWN YOU--
THE DAMAGE TO MISS SWALLOW, THE MUSEUM, MR. PEABODY--
MR. PEABODY? BUT, DAVID!
THE ONE WAY TO GET TO MR. PEABODY
IS THROUGH AUNT ELIZABETH.
PLEASE LISTEN FOR ONE SECOND.
HE'LL DO ANYTHING SHE TELLS HIM TO.
HE'S AUNT ELIZABETH'S LAWYER.
HE'S HER LAWYER-- MR. PEABODY.
WHAT'S YOUR AUNT'S NAME?
ELIZABETH.
BUT SHE HAS ANOTHER NAME.
OF COURSE.
NEVER MIND. DON'T TELL ME.
IT'S RANDOM, MRS. CARLETON RANDOM.
YES, I KNOW. I KNEW THAT WAS COMING.
WHAT'S THE MATTER?
OUT OF SEVEN MILLION PEOPLE,
WHY DID I HAVE TO RUN INTO YOU YESTERDAY?
WHAT HAVE I DONE?
SUSAN, MRS. RANDOM IS GOING TO GIVE AWAY
A MILLION DOLLARS.
I KNOW.
I WANTED IT FOR THE MUSEUM.
OH, DAVID. WELL, I'M AFRAID
YOU'VE MADE A RATHER UNFAVORABLE IMPRESSION
ON AUNT ELIZABETH.
I QUITE REALIZE THAT.
SUSAN. SUSAN, LISTEN TO ME.
WHAT?
A LOT OF THINGS HAVE HAPPENED,
BUT WE'LL FORGET THEM BECAUSE THIS IS SERIOUS.
WHAT, DAVID?
CAN YOU CONCENTRATE FOR JUST A MOMENT?
THERE'S ONLY ONE THING TO BE DONE,
AND THIS IS IMPORTANT TO ME AND TO MY WORK.
OHH. WHAT?
YOU'RE SO GOOD-LOOKING WITHOUT YOUR GLASSES.
SUSAN, LISTEN TO ME AND TRY AND REMEMBER.
WHAT?
I'VE MADE A HORRIBLE MESS OF THINGS.
YOUR AUNT MUST NEVER FIND OUT WHO I AM.
YOU DO UNDERSTAND, DON'T YOU?
YES, DAVID.
YOU CAN TELL HER THAT I'M A FRIEND OF MARK'S,
THAT I HAVE BATS IN THE BELFRY,
BUT DON'T EVER TELL HER MY NAME IS DAVID HUXLEY.
NOW, CAN YOU REMEMBER ALL THAT?
YES, DAVID.
YOU SURE? YES, DAVID.
BUT YOU ARE GOOD-LOOKING WITHOUT YOUR GLASSES.
OH, NEVER MIND, SUSAN.
WHAT DID I SAY? WHAT DID I DO?
WHAT DID I SAY?
WHAT DID I DO?
SUSAN, I ASKED YOU TO REMEMBER ONE THING.
I KNOW, DAVID, AND I SWEAR I'LL REMEMBER.
WHERE IS IT?
EXACTLY WHAT YOU TOLD ME TO SAY.
WHERE IS IT? WHERE'S WHAT?
MY INTERCOSTAL CLAVICLE.
YOUR WHAT?
MY BONE. IT'S RARE! WHAT DID YOU DO WITH IT?
THE BONE?
SUSAN, YOU HAD IT. GIVE IT TO ME.
I HAVEN'T GOT IT.
DID YOU CARRY IT SOMEWHERE?
WHY WOULD I CARRY A BONE AROUND?
I WOULDN'T DARE GIVE A REASON FOR ANYTHING YOU DO.
I GUESS YOU'LL HAVE TO FIND ANOTHER ONE.
IT TOOK 3 EXPEDITIONS AND 5 YEARS TO FIND THAT ONE!
NOW THAT THEY KNOW WHERE TO FIND THEM,
COULDN'T YOU SEND THEM BACK TO GET ANOTHER ONE?
SUSAN, YOU HAD IT. YOU TOOK IT OUT OF THE BOX.
WHERE DID YOU PUT IT?
BACK IN THE BOX.
WAS SOMEBODY ELSE IN THE ROOM?
DAVID, THERE WAS NOBODY ELSE BUT--
OH, DAVID. GEORGE.
WHO'S GEORGE? THE DOG.
DON'T YOU SEE? DOG, BONE. DOG, BONE.
OH!
GEORGE! GEORGE!
STOP IT, SUSAN. YOU SOUND LIKE AN ECHO.
GEORGE! NICE GEORGE.
NICE GEORGE!
GEORGE!
DID YOU SEE HIM?
SEE WHO? GEORGE.
ARE THOSE THE ONLY CLOTHES YOU COULD FIND?
SUSAN, COME BACK HERE! WHAT ARE YOU DOING?
HUNTING FOR GEORGE. WHY?
DAVID LOVES HIM. DAVID THINKS HE'S SUCH A NICE DOG.
GEORGE'S A FIEND. YOU KNOW IT.
BUT DAVID DOESN'T.
COME HERE! SUSAN! SUSAN!
OH, OH, OH.
DAVID! [WHISTLES]
GEORGE!
HE'S DEFINITELY NOT IN THE HOUSE.
OHHH...
[WHISTLES]
DON'T DO THAT, DAVID.
IF HE KNOWS YOU WANT HIM, HE'LL HIDE.
SUSAN, WHERE'S HE APT TO GO?
GEORGE IS APT TO GO ANYWHERE.
NO. WHERE DOES HE HIDE THINGS?
OH, NOW, DAVID, HOW CAN I TELL?
YOU OUGHT TO KNOW. [ARF ARF]
THERE HE IS! GEORGE! GEORGE!
OH, MY GOODNESS, LOOK AT HIS NOSE.
HE'S BEEN DIGGING. HE'S BURIED IT.
THERE ARE 26 ACRES IN THIS GARDEN.
WELL, THAT'S AWFUL. NOW, GEORGE...
WHERE DID YOU HIDE THAT BONE?
NO, DAVID, NOT THAT WAY.
NOW, GEORGE, WE'RE NOT ANGRY.
DAVID AND SUSAN NEED THAT BONE.
IT'S A NASTY OLD BONE. HUNDREDS OF YEARS OLD.
THAT'S DAVID'S BONE.
SUSAN WILL GET YOU A NICE, FRESH BONE
IF YOU'LL JUST SHOW US WHERE IT IS.
OH, LOOK AT THE NASTY LITTLE CUR!
YOU'LL RUIN EVERYTHING. SPELL IT.
GEORGE, DON'T BE STUBBORN.
SUSAN LOVES YOU.
WHERE'D YOU PUT IT? DON'T YOU REMEMBER?
WHERE'D YOU DIG?
HE'S NOT PAYING A BIT OF ATTENTION--OH, GEORGE!
IT'S EASY IF YOU KNOW HOW TO HANDLE HIM.
THIS MUST BE THE SPOT.
HE'S GOING TO START DIGGING IN A MINUTE.
THERE HE GOES. THAT'S RIGHT, GEORGE.
SEE, IT'S VERY SIMPLE IF YOU KEEP YOUR HEAD.
I DO HOPE HE DOESN'T HURT THAT BONE.
ISN'T HE A STRONG LITTLE MAN, DAVID?
HE'S GOT SOMETHING!
COME ON, DIG.
I'M DIGGING.
I FEEL SOMETHING! I FEEL SOMETHING!
I HOPE IT ISN'T HURT.
OH, LOOK, DAVID, A BOOT.
DON'T HIT GEORGE, DAVID.
I WASN'T GOING TO HIT GEORGE.
GEORGE, THAT WAS FINE, BUT CONCENTRATE AGAIN.
DAVID HAS TO FIND HIS BONE.
NO. NOT IN THERE.
ISN'T THIS FUN, DAVID? JUST LIKE A GAME.
OH, YES.
GEORGE, IF YOU GET TIRED OF DIGGING,
JUST TELL DAVID AND SUSAN WHERE YOU HID IT,
AND THEY'LL DIG.
SUSAN, DO YOU THINK GEORGE IS REALLY TRYING?
WELL, ALMOST EVERY PLACE HE'S TAKEN US
WE'VE FOUND SOMETHING.
THERE'S NOTHING HERE.
LOOK, DAVID, ANOTHER BOOT.
THAT MAKES THREE PAIRS.
GEORGE, QUIT STALLING. WHERE IS IT?
DON'T BE DISCOURAGED.
GEORGE, CONCENTRATE. BONES, NOT BOOTS.
THERE HE GOES.
HE'S GOT THE IDEA.
I'M GETTING TIRED OF ALL THIS DIGGING.
YES, WHAT WE NEED IS A PLOW.
SUSAN?
OH, JEEPERS, IT'S AUNT ELIZABETH.
FOLLOW HIM, DAVID! DON'T LET HIM GET AWAY!
SUSAN?
YES, AUNTIE, I'M COMING.
SUSAN, WHAT ON EARTH ARE YOU DOING?
WHAT ARE ALL THESE?
OH, THOSE? THEY'RE HOLES.
OF COURSE, I CAN SEE THEY'RE HOLES.
HOW DID THEY GET HERE?
WELL, DAVID AND GEORGE AND I WERE DIGGING.
WHO IS THIS DAVID?
HE'S A FRIEND OF MARK'S.
THAT'S ALL YOU KNOW ABOUT HIM?
NO. I KNOW THAT I'M GOING TO MARRY HIM.
HE DOESN'T KNOW IT, BUT I AM.
ON MY MONEY? YOU'RE VERY MUCH MISTAKEN.
I DON'T WANT ANOTHER LUNATIC IN THE FAMILY.
I'VE GOT LUNATICS ENOUGH ALREADY.
YOU'RE GETTING MARRIED? WHAT'S HIS NAME?
IT'S, UM...BONE.
BONES? ONE BONE.
WELL, ONE BONE OR TWO, IT'S A RIDICULOUS NAME.
WHAT DOES HE DO?
HE HUNTS.
HUNTS? HUNTS WHAT?
WELL, ANIMALS, I SHOULD THINK.
BIG GAME HUNTING, HUH?
YES. VERY BIG.
YOU CALL THAT BIG GAME HUNTING?
LOOK AT THAT.
WELL, AUNTIE, HE'S JUST PLAYING WITH GEORGE.
HE WON'T PLAY WITH GEORGE ANOTHER MINUTE.
TELL HIM DINNER'S AT HALF PAST 8:00 SHARP.
AND NOT TO KEEP US WAITING.
GEORGE, COME HERE THIS MINUTE!
GEORGE!
COME ALONG, GEORGE.
OHH! OH, DAVID!
ALICE, I'M IN CONNECTICUT, BUT I CAN'T GET IN
BECAUSE I'VE BEEN UNAVOIDABLY DETAINED.
DAVID, LISTEN.
I CAN'T HEAR YOU. I'M TALKING. GO AWAY.
I'LL BE WITH YOU ONCE I'M FINISHED.
NOW, DAVID, YOU HAVE TO LISTEN TO ME.
YES, I KNOW THAT--
SUSAN, WILL YOU PLEASE GET OFF THE PHONE?
DAVID, IT'S IMPORTANT. IT'S ABOUT THE LEOPARD.
HE'S MAKING THE MOST TERRIFIC RUMPUS OUT THERE.
HE'S HUNGRY. WE'VE GOT TO FEED HIM.
WELL, I CAN'T HELP THAT.
WHAT, ALICE DEAR? IT'S SOMEBODY ON THE LINE.
KEEP QUIET, SUSAN.
DAVID, THIS CAN'T WAIT.
THERE'S 8 MILLION PEOPLE IN THIS HOUSE
AND THEY'LL THINK SOMETHING TERRIBLE HAS HAPPENED.
SUSAN, GET OFF THE LINE, PLEASE--HELLO, ALICE?
WHAT? WELL, I DON'T KNOW WHAT TIME IT IS.
WHEN YOU HEAR THE TONE,
THE TIME WILL BE 7:37 AND ONE QUARTER.
[DING]
SUSAN, PLEASE, PLEASE!
ALICE, I CAN'T HEAR YOU.
WHEN YOU HEAR THE TONE, THE TIME WILL BE 7:40.
[DING]
WHEN YOU HEAR THE TONE,
THE TIME WILL BE 7:40 AND ONE HALF.
[DING]
WHEN YOU HEAR THE TONE, THE TIME WILL BE 7:41.
PARDON ME. THE TIME IS 8:10.
WHEN YOU HEAR THE TONE, THE TIME WILL BE--
NO. MY WATCH SHOWS 8:10 AND A QUARTER.
WHO ARE YOU?
WHO AM I? I'M 8:10--UH...
I'M MAJOR HORACE APPLEGATE.
I, UH...
WHAT DO YOU WANT?
MRS. RANDOM INVITED ME FOR DINNER.
WOULD YOU SEE IF SHE STILL WANTS ME?
SHE'S HUNG UP.
OH. WELL, SO AM I.
WHY, HORACE, WHAT ARE YOU DOING?
ARE YOU COMING IN OR GOING OUT?
WELL, I--
HE'S COMING IN TO DINNER.
HOW DO YOU DO? I'M SUSAN VANCE.
HOW DO YOU DO, MISS SUSAN?
HELLO, ELIZABETH.
YOU'RE MUCH TOO BIG TO SWING ON GATES.
I FOUND THAT OUT.
SUSAN, COME BACK HERE! WHERE ARE YOU GOING?
I'M JUST GOING OUT.
YOU SHOULD BE WATCHING GEORGE,
NOT PLAYING WITH TELEPHONES--EXCUSE ME.
GEORGE IS FAST ASLEEP IN MY ROOM.
I TOLD HER THAT YOU'RE...
YOU LOOK MUCH BETTER IN THOSE CLOTHES.
I WANT YOU TO MEET MR. BONE.
MR. BONE.
NO. YOU'RE MR. BONE.
THIS IS MAJOR APPLEGATE.
YES, I'M MAJOR APPLEGATE.
I'M PRETTY SURE I AM--
THAT IS, I WAS THIS MORNING.
THERE MUST BE SOME MISTAKE.
THERE ISN'T ANY MISTAKE.
I'VE KNOWN MAJOR APPLEGATE FOR 20 YEARS,
HAVEN'T I, HORACE?
22 TO BE EXACT, ELIZABETH.
OH! EXCUSE ME.
HOW DO YOU DO, MR. APPLEGATE?
HOW DO YOU DO AGAIN. THANK YOU.
YES, NOW, MR. BONE, WE'LL GO FOR A WALK.
I'D LIKE TO EXPLAIN--
YOU DON'T NEED TO.
THAT'S ALL RIGHT. I UNDERSTAND.
GOOD-BYE, MAJOR APPLEGATE--
MR. BONE, UH...
STRANGE YOUNG MAN, ISN'T HE?
IS HE SUFFERING FROM SOMETHING?
HE'S HAD A NERVOUS BREAKDOWN.
HAD OR HAS? HAD.
AND IT'S LEFT HIM SORT OF...YOU KNOW.
OH, MY. WHAT A PITY. AND SO YOUNG, TOO.
TROUBLE IS, SUSAN SEEMS
TO BE SHOWING THE SAME TENDENCIES.
YOU'RE ALL RIGHT, THOUGH?
WELL, I HOPE SO.
HAVE A DRINK. THANK YOU.
DINNER CONVERSATION MAY BE A TRIFLE DIFFICULT
ON ACCOUNT OF THIS YOUNG MAN,
SO I WANT YOU TO DRAW HIM OUT.
DRAW HIM OUT? WHAT DO YOU MEAN?
TALK ABOUT SOMETHING HE UNDERSTANDS--
BIG GAME HUNTING, FOR INSTANCE.
HE'S A BIG GAME HUNTER LIKE YOURSELF.
YOU DON'T SAY! WELL, THEN, ELIZABETH,
YOU'VE COME TO THE RIGHT MAN.
THERE. HE'S FED.
NOW I'M SURE HE'S GOING TO BE QUIET.
WELL, COME ON, LET'S GO TO DINNER.
WHY ARE YOU JUST SITTING THERE?
WELL, I'M JUST TRYING TO FIGURE OUT
HOW I GOT MIXED UP IN ALL THIS.
"MR. BONE." ISN'T THAT AMAZING?
DAVID, YOU TOLD ME NOT TO SAY YOUR REAL NAME.
LOOK, I DIDN'T TELL YOU TO THINK UP A NAME LIKE BONE.
THAT'S HARD TO-- OH! OH! GEORGE, GEORGE!
STAY THERE, GEORGE.
COME ON, QUICKLY! GET OUT OF HERE!
SHUT THE DOOR.
WHAT'S THE MATTER?
DID YOU EVER THINK WHAT WOULD HAPPEN
IF BABY AND GEORGE GOT TOGETHER?
OH, THEY'D PROBABLY LIKE EACH OTHER.
AND IF THEY DIDN'T?
IF THEY DIDN'T, BABY WOULD EAT GEORGE.
THAT'S WHAT I MEAN.
AND THERE IT WAS STRAIGHT BEFORE ME,
CROUCHING AS TIGERS DO BEFORE THE KILL.
BUT I WAS READY FOR HIM. I DREW A BEAD,
LEVELED AWAY, AND CAUGHT HIM RIGHT BETWEEN THE EYES.
OH, MY, MY, IT CERTAINLY WAS A THRILLING EXPERIENCE,
AS I'M SURE YOU'LL ALL AGREE, HMM?
OR DO YOU, MR. BONE? HMM?
[SQUEAKY VOICE] HAVE YOU EVER BEEN--
PARDON ME. I'M SO SORRY.
HAVE YOU EVER BEEN IN ARABIA, MR. BONE?
I SAID, HAVE YOU EVER BEEN IN ARABIA, MISTER?
NO.
I SUPPOSE YOU'VE SPENT MOST OF YOUR TIME IN AFRICA.
NO. TIBET, PERHAPS?
NO.
MALAY PENINSULA, PERCHANCE, HMM?
EXCUSE ME.
AT LEAST THAT GOT A RISE OUT OF HIM.
WELL, YOU SHOULDN'T HAVE MENTIONED
THE MALAY PENINSULA.
HE WAS HORRIBLY CLAWED THERE BY A TIGER .
HE DOESN'T LIKE TALKING ABOUT IT.
I HAD A GUN BEARER ONCE WHO WAS CLAWED BY A TIGER.
HE--THE POOR...
I WAS JUST TELLING MAJOR APPLEGATE
THAT YOU WERE HORRIBLY CLAWED BY A TIGER
IN THE MALAY PENINSULA.
I'VE NEVER BEEN THERE.
YOU...
YOU'VE NEVER--
OH, WELL, NO MATTER, NO MATTER.
WHAT TYPE OF GUN DO YOU USE IN HUNTING TIGERS, MR. BONE?
I PERSONALLY USE A BOLT-ACTION MAUSER
WITH A VERY LARGE BORE.
EXCUSE ME.
SUSAN, IMAGINE GIVING A DINNER PARTY
WITH YOUR HUSBAND STALKING LIKE HAMLET'S GHOST
ALL THROUGH THE MEAL.
WELL, GIVE ME PATIENCE.
NO, THIS IS TOO MUCH. I CAN'T STAND IT.
OH, WE WERE TALKING ABOUT THE JUNGLE
WHILE YOU WERE AWAY, MR. BONE.
MY SOUP IS GONE.
IT WAS COLD.
DIGGING TRENCHES!
BLAMING IT ON AN INNOCENT DOG!
DID ANYONE EVER HEAR SUCH NONSENSE?
ENOUGH TO DRIVE A MAN CRAZY.
AND THEN THEY SAY, "KEEP AWAY FROM THE BOTTLE."
NO, NOT EVEN A WEE DROP TO STEADY A MAN'S NERVES.
IF ONE MORE THING HAPPENS, I'LL QUIT, I'LL QUIT,
AND WHERE ALOYSIUS GOGARTY GOES,
MRS. ALOYSIUS GOGARTY GOES, TOO.
A GARDENER CHASING AFTER A DOG!
JUST PICTURE IT--
A VAST, MYSTERIOUS SILENCE VIBRANT WITH LIFE,
STRANGE CRIES IN THE NIGHT--
[BABY GROWLS]
GOOD GRACIOUS, WHAT WAS THAT?
THAT WAS A LOON, ELIZABETH, YES.
I'M SURE THAT ONCE YOU GOT THE JUNGLE IN YOUR BLOOD,
I WOULDN'T BE ABLE TO KEEP YOU OUT OF IT.
[RAHR]
SUSAN, DID YOU HEAR THAT?
I DIDN'T HEAR A THING.
YOU DIDN'T?
YOU'RE QUITE SURE THAT WAS A LOON?
YES, INDEED, ELIZABETH. I'VE HEARD MANY A LOON.
IF THERE EVER WAS A LOON, THAT IS A LOON,
ISN'T IT, MR. BONE?
NO.
HMM. WELL, WHAT DO YOU SAY IT WAS?
A LEOPARD.
DON'T BE RIDICULOUS.
MAJOR APPLEGATE WOULD KNOW A LEOPARD CRY
IF HE HEARD IT.
THANK YOU.
I'M AN AUTHORITY ON ANIMAL CRIES.
YOU TAKE THE ROGUE ELEPHANT, FOR INSTANCE.
EXCUSE ME, MAJOR.
YOU'RE RIGHT. IT IS A LOON.
OH, THANK YOU. THE LEOPARD'S CRY,
ONCE HEARD, CAN NEVER BE FORGOTTEN.
YES, I KNOW.
OH, YOU KNOW. THANK YOU.
OF COURSE, IT VARIES AT DIFFERENT SEASONS.
LET ME SEE NOW, WHAT MONTH IS THIS?
JUNE. JUNE.
JUNE? WELL, IT WOULD GO SOMETHING LIKE THIS.
I'LL JUST PREPARE FOR IT, YOU KNOW?
NOW, LET ME SEE.
THERE WE HAVE IT. AHEM.
[WA-A-ARGH]
[COUGH COUGH]
PARDON ME.
IT'S STILL A LOON.
WELL, OF COURSE, I HAVEN'T PRACTICED THE LEOPARD CRY
IN A LONG TIME. I'M SLIGHTLY OUT OF VOICE.
TRY AGAIN, TRY AGAIN.
YES, I SHALL, I SHALL. AHEM.
[WA-A-ARGH]
WELL, NOW, I DIDN'T DO THAT.
IT WAS PROBABLY AN ECHO.
WELL, IT WAS A LONG TIME COMING BACK, WASN'T IT?
WELL, TRY AGAIN.
YES, I SHALL.
[WA-A-ARGH]
THERE. THAT'S BETTER.
[WA-A-ARGH]
NOW, THAT'S PECULIAR.
THERE AREN'T ANY LEOPARDS IN CONNECTICUT, ARE THERE?
YES. NO.
OF COURSE NOT!
WHY DO YOU SAY YES?
WELL, YOU SEE-- EXCUSE ME.
SUSAN! SUSAN! FINISH YOUR DINNER
AND STOP THIS NONSENSE.
ALL RIGHT, BUT YOU'LL BE SORRY.
OH, BOY, I CAN'T STAND IT.
I'VE GOT TO GET AWAY FROM IT.
INSTEAD OF SITTING DECENTLY AT THE TABLE,
THEY'RE HOWLING AND ROARING AT ONE ANOTHER,
LIKE A LOT OF BANSHEES.
AND THEN THEY SAY, "GOGARTY, YOU MUSTN'T DRINK.
YOU MUST KEEP AWAY FROM THE BOTTLE."
AS IF A MAN DIDN'T NEED SOMETHING TO LISTEN TO THEM.
I'M WELL WITHIN MY RIGHTS.
I'M PERFECTLY WITHIN ME...
RIGHTS.
IF ONE MORE THING HAPPENS TO UPSET ME,
I--I'LL BE SEEING THINGS.
[PURRING]
HANNAH...
[BOTTLE CRASHES]
HANNAH.
HANNAH? HANNAH GOGARTY!
ME GUN! ME GUN!
[DISHES CRASH]
OH, GOOD GRACIOUS. NOW WHAT'S HAPPENED?
Gogarty: THIS IS NO TIME! WHERE'S ME GUN?
Hannah: WHAT WOULD YOU BE WANTING OF A GUN NOW?
HAND ME ME GUN!
BE QUIET, BOTH OF YOU!
GOGARTY, WHAT IS ALL THIS?
I SAW IT OUTSIDE.
SAW WHAT?
A CAT AS BIG AS A COW
WITH EYES LIKE BALLS OF FIRE.
Elizabeth: HANNAH, CLEAN UP THIS MESS
AND SERVE THE NEXT COURSE.
JEEPERS, DAVID, BABY'S ESCAPED!
I DON'T CARE.
WE'VE GOT TO CATCH HIM.
I'VE GOT TO WATCH GEORGE.
I'LL TELL AUNT ELIZABETH THAT YOUR NAME IS DR. DAVID HUXLEY.
YOU WOULDN'T! RIGHT NOW.
DON'T! ALL RIGHT, I'LL GO WITH YOU!
COME ON. GEORGE, STAY!
MAJOR APPLEGATE, KEEP AN EYE ON GEORGE!
THANK YOU!
BABY! BABY! OH, THE DOOR'S OPEN.
IS HE THERE?
NOPE, HE'S GONE, ALL RIGHT.
OH, DEAR. AUNT ELIZABETH--
DON'T LOSE YOUR HEAD.
MY WHAT? YOUR HEAD.
I'VE GOT MY HEAD. I'VE LOST MY LEOPARD!
NOW, WAIT A MINUTE.
NOTHING'S GAINED BY UNCONTROLLED HYSTERIA.
NOW, COMPOSE YOURSELF.
WHAT SHOULD WE DO?
LOOK, CALL THE ZOO, SAY WE SAW A LEOPARD,
AND THEY'LL CATCH HIM. COME ON.
SUSAN, I HOPE THIS TIME YOU'VE COME TO STAY.
YES, I'VE COME TO STAY, AUNTIE.
WE'VE JUST BEEN WALKING-- WALKING UP AND DOWN.
WHERE'S THAT YOUNG MAN GOING NOW?
HE'S JUST GOING IN TO TAKE A REST.
HE HAS TO TAKE FREQUENT RESTS.
THE DOCTOR--HAVE YOU EVER HAD JUNGLE FEVER, MAJOR?
WELL, I--
THEN YOU REALIZE HOW IMPORTANT REST IS.
OF COURSE.
IT'S DIFFICULT, THOUGH. HE HAS TWO DOCTORS.
ONE SAYS REST, ONE SAYS EXERCISE.
WHICH DO YOU PREFER?
I THINK THAT PERHAPS--
WHY, SUSAN, LISTEN TO THIS.
WHAT?
THIS IS A CABLE FROM MARK.
MARK?
IT MAKES NO SENSE.
WHAT DOES IT SAY?
"ARE YOU PLEASED WITH BABY?"
BABY? MARK?
AND NOT A WORD ABOUT MY LEOPARD.
LE--YOUR LEOPARD?
I'VE ALWAYS WANTED A LEOPARD.
OH, EXCUSE ME!
YOU KNOW, HE PROMISED ME...
THANK YOU VERY MUCH.
DON'T CALL THE ZOO.
I JUST DID. IT'S ALL FIXED.
CALL AND UNFIX IT. WHY?
JUST CALL.
I JUST TOLD THEM THE LEOPARD'S THEIRS.
YOU'VE GIVEN AWAY BABY? YOU HAVE NO RIGHT!
IT'S ALL YOUR FAULT! YOU'VE RUINED EVERYTHING!
I'VE HAD ENOUGH. I QUIT.
YOU CAN'T QUIT. CALL THEM BACK.
BUT YOU TOLD ME TO CALL THEM IN THE FIRST PLACE!
EVERYTHING'S CHANGED.
THAT LEOPARD BELONGS TO AUNT ELIZABETH.
AUNT ELIZABETH?
JUST CALL THEM BACK AND TELL THEM YOU WERE MISTAKEN.
I JUST CONVINCED THEM I SAW A LEOPARD.
THEY'LL NEVER BELIEVE ME NOW.
I'LL FIX THAT, DAVID.
I'LL SAY YOU'RE A DRUG ADDICT WHO SEES THINGS.
OH, NEVER MIND. GIVE ME THAT PHONE.
HELLO. HELLO, OPERATOR?
NOT SO LOUD.
GET ME WESTLAKE-284. I DON'T KNOW--
NEVER MIND, DAVID.
HELLO. HELLO. IS THAT ZOO?
NOBODY'S TALKING BABY TALK.
I'M THE MAN THAT CALLED UP ABOUT THE LEOPARD.
YOU NEEDN'T DO ANYTHING. IT'S ALL BEEN A MISTAKE.
WELL, STOP THEM!
WHAT'S THE MATTER? WHAT DID HE SAY?
IT'S TOO LATE. IT WAS THE NIGHT WATCHMAN.
HE SAID EVERYBODY'S ALL OUT LEOPARD HUNTING.
JEEPERS! YOU'VE GOTTEN US INTO A WONDERFUL MESS.
I--WELL!
LET'S THINK BEFORE WE ACT.
YOU THINK FASTER THAN I DO.
THANK YOU. WHAT DOES ONE TAKE TO CATCH A LEOPARD?
HOW BIG A LEOPARD?
WE'VE GOT TO CATCH HIM BEFORE THEY DO.
I'VE GOT TO WATCH GEORGE.
WE'LL TAKE GEORGE WITH US.
AUNTIE, WE'RE TAKING GEORGE FOR A WALK.
WHERE'S A LEASH?
OH, MY GOODNESS! WHERE'S GEORGE?
WHY THIS MORBID INTEREST IN GEORGE?
I'VE GOT TO FIND HIM!
WHAT FOR?
BECAUSE HE KNOWS WHERE MY INTERCOSTAL CLAVICLE IS.
YOUR WHAT?
MAJOR APPLETREE, YOU PROMISED TO WATCH GEORGE.
I DID. YOU DIDN'T.
WELL, WHERE IS HE?
HE'S GONE. GONE WHERE?
OUT THAT DOOR.
NO, NOT THAT DOOR. THAT DOOR.
OH, THANK YOU.
THAT'S RIGHT.
OH, I CAN'T STAND THIS ANOTHER MOMENT.
COME ALONG. LET'S GET SOME FRESH AIR.
SHALL WE RUN? YES.
I CAN'T UNDERSTAND, ELIZABETH,
WHY A LOON WOULD ANSWER A LEOPARD'S CRY.
THERE'S SOMETHING WRONG.
THEY BOTH SOUND EXACTLY ALIKE TO ME.
OH, NO, PARDON ME, ELIZABETH.
PLEASE, THE LEOPARD'S CRY IS ENTIRELY DIFFERENT.
AS I EXPLAINED IN THERE,
THE LEOPARD'S CRY GOES LIKE THIS--
[WA-A-ARGH]
WHAT A TERRIBLE NOISE. I DON'T SEE HOW YOU DO IT.
IT'S DONE LARGELY WITH THE PALATE, YOU SEE?
OF COURSE, THE HANDS PLAY AN IMPORTANT PART
IN THE RESONANCE AND CARRYING POWER.
BUT WHY PUT YOUR THUMBS TOGETHER?
WELL, YOU SEE, THE THUMBS--
IT'S NECESSARY THAT THE BASE OF THE THUMBS ARE TOGETHER.
YOU SEE? THAT BRINGS OUT A SORT OF PEAR-SHAPED TONE.
NOW, HAVING DONE THIS, YOU TAKE A DEEP BREATH,
KEEP THE THROAT WELL OPEN, AND OUT COMES--
[WA-A-ARGH]
[COUGH]
[WA-A-ARGH]
OH, MY! THAT'S FINE, ELIZABETH,
FOR ONE WHO HASN'T HAD ANY PRACTICE.
I THINK YOU'VE GOT SOMETHING THERE.
GOT WHAT? THE MATING CRY.
NOW, DON'T BE RUDE, HORACE.
I'M NOT. I WAS ALLUDING TO THE SCREAM YOU DID.
I DIDN'T SCREAM.
YOU DIDN'T? CERTAINLY NOT.
YOU DIDN'T SCREAM?
NO. I OUGHT TO KNOW.
THEN THERE MUST BE SOMETHING WRONG HERE.
WRONG? I SHOULD SAY SO.
I'VE NEVER KNOWN ANYTHING LIKE IT.
EVER SINCE COMING INTO THE HOUSE--
ELIZABETH-- IT'S BEDLAM!
DON'T YOU THINK IT'S TIME WE WENT IN THE HOUSE?
NO. WE'VE ONLY JUST LEFT THE HOUSE.
BUT ISN'T IT A GOOD IDEA TO GO BACK?
NO. I THINK WE SHOULD CONTINUE OUR WALK.
ISN'T IT SOMEWHAT CHILLY WITHOUT A GUN, ELIZABETH?
♪ THAT'S THE ONLY THING I'VE PLENTY OF, BABY ♪
[WHISTLES] GEORGE!
WHY DON'T YOU SING, DAVID?
I CAN'T SING.
YES, YOU CAN. YOU'VE A FINE, STRONG VOICE.
BUT NOT FOR SINGING.
IT'S NOT FAIR! YOU'RE BEING STUBBORN.
[BARKING]
THAT'S A DOG.
GEORGE. OH!
GEORGE! GEORGE!
SHH! WHAT'S THE MATTER?
SOMETHING MOVED IN THAT BUSH.
LET ME GO FIRST.
DAVID. SHH.
DON'T YOU THINK IT'D BE BETTER IF I WENT FIRST?
OH, NO, SUSAN. YOU MIGHT GET HURT.
THANK YOU, DAVID.
I CAN'T SEE A THING.
NEITHER CAN I.
SUSAN, ARE YOU SURE YOU SAW SOMETHING MOVE IN HERE?
BECAUSE I CAN'T...
WELL, SUSAN, WHERE ARE YOU?
HERE I AM.
SUSAN, THIS IS NO TIME FOR SQUAT TAG!
I'M NOT PLAYING.
OH! I'M CAUGHT ON SOMETHING.
HELP ME, WILL YOU?
NO. HELP ME, WILL YOU?
NO. THAT'S POISON IVY.
I BET YOU WOULDN'T TREAT MISS SWALLOW THIS WAY.
I BET MISS SWALLOW KNOWS POISON IVY WHEN SHE SEES IT.
YES, I BET POISON IVY RUNS WHEN IT SEES HER.
I DIDN'T COME OUT HERE TO DISCUSS MISS SWALLOW.
I'M LOOKING FOR GEORGE AND I'LL FIND HIM IF--
OH!
OH, DAVID! ARE YOU ALL RIGHT?
HA HA HA!
HA HA... OH, DON'T LAUGH.
I CAN'T HELP IT.
OH, YOU LOOK SO SILLY.
OH! OH!
David: OH, LOOK OUT!
OH! HA HA!
[LAUGHING]
OH, DAVID...
I'M SORRY.
AAH, DAVID! [WA-A-ARGH]
WAIT A MINUTE! DID YOU HEAR THAT?
[ARF ARF] THAT'S BABY.
IT'S GEORGE, TOO.
YOU DON'T SUPPOSE--
♪ I CAN'T GIVE YOU ANYTHING BUT LOVE ♪
SHUT UP.
[ARF ARF]
OH! OOH, LOOK!
[ARF]
LOOK, DAVID, THEY LIKE EACH OTHER.
YES, BUT GOODNESS KNOWS HOW LONG THAT'S GOING TO LAST.
[ARF]
OH, IN ANOTHER MINUTE,
MY INTERCOSTAL CLAVICLE WILL BE GONE FOREVER.
HERE, GEORGE. COME HERE!
NO, NO. SHH. SUSAN, BE QUIET.
SUSAN, IS THERE ANY WAY TO CROSS THIS STREAM?
OH, SURELY IT'S SHALLOW. WE CAN WADE ACROSS.
OH. OH, GOOD.
OH, YOU...
THE RIVERBED'S CHANGED.
OH, THE RIVERBED'S CHANGED...
[COUGHS]
DID WE GET ACROSS?
NO, SUSAN. WE'RE RIGHT BACK
WHERE WE STARTED, ONLY WE'RE WET.
OH, NOW GEORGE AND BABY HAVE DISAPPEARED.
WHILE YOU WERE ABOUT IT,
YOU MIGHT'VE GONE TO THE OTHER SIDE.
WELL, WHILE I'M WET, I'M GOING TO THE OTHER SIDE.
OH, WELL, DON'T LEAVE ME!
OH!
COME ON.
YOU KNOW, DAVID, IF WE'D HAD A BATHHOUSE,
THIS WOULDN'T HAVE BEEN SO COMPLICATED.
NEXT TIME, I'LL TRY TO ARRANGE ONE,
OR PERHAPS THERE ARE PORTABLE BATHHOUSES
FOR PEOPLE LIKE YOU. THERE MUST BE.
OH, DAVID, DON'T BE SO GROUCHY.
WE COULD HAVE SUCH FUN.
THIS MOONLIGHT AND EVERYTHING IS SO LOVELY.
AND I DO SO LIKE BEING WITH YOU.
YOU DO? WELL, I LIKE PEACE AND QUIET.
BUT IT'S PEACEFUL AND QUIET HERE.
OH! WELL, LET'S JUST STAY HERE
AND LET GEORGE AND BABY LOOK FOR US.
OH, DAVID, YOUR SOCK'S ON FIRE.
OH, THAT'S ALL RIGHT. I DON'T CARE ANYMORE.
WELL...
THAT'S FINE. THROW THE OTHER ONE IN.
OH, THAT'S TRUE. YOU COULD HAVE--
OH, WELL, DON'T BE UPSET, DAVID.
WELL, WHO WOULDN'T BE? MY GOODNESS, SUSAN,
HERE I AM HELPING YOU FIND A LEOPARD
SO YOUR AUNT ELIZABETH WON'T BE ANGRY AT YOU.
AND THEN SHE'LL PROBABLY GIVE YOU
THE MILLION DOLLARS THAT I NEED FOR MY MUSEUM.
WELL, IF YOU'D PLANNED IT,
YOU COULDN'T HAVE RUINED MY CHANCES MORE COMPLETELY.
YOU TOLD YOUR AUNT I WAS CRAZY, DIDN'T YOU?
YOU SAID MY NAME WAS BONE AND YOU DIDN'T TELL ME.
YOU SAID I HUNTED BIG GAME AND DIDN'T TELL ME.
YOU TELL ANYBODY ANYTHING THAT COMES INTO YOUR HEAD
AND YOU DON'T TELL ME!
HERE'S SOMETHING ELSE I DIDN'T TELL YOU.
WHAT NOW?
MR. PEABODY'S COMING TO SEE AUNT ELIZABETH TONIGHT.
OH, DEAR.
WELL, THAT'S THE END, THAT'S ALL.
PEABODY'S SURE TO TELL YOUR AUNT WHO I AM.
YEAH. HE'LL NEVER REMEMBER THOSE FOUR YEARS' HARD WORK
I PUT IN ON THAT BRONTOSAURUS.
NO. ALL HE'LL REMEMBER IS THAT I CONKED HIM ON THE HEAD
WITH A ROCK LAST NIGHT-- HE THINKS.
[MUSIC PLAYS] HERE.
WHERE'S THAT MUSIC COMING FROM, DAVID?
WESTLAKE.
THERE'S A CIRCUS THERE. A CIRCUS.
[BARKER SHOUTING]
WE GOT A JOB FOR YOU.
TAKE THE BOSS' LEOPARD TO BRIDGEPORT.
WHAT HAPPENED?
HE JUST GAVE THAT NEW TRAINER A GOING-OVER.
HURT HIM BAD?
BAD? 3 MINUTES ALONE WITH THAT CAT
DIDN'T DO HIM ANY GOOD.
THEY SHOULD HAVE SHOT HIM LAST SUMMER
WHEN HE RIPPED UP CAL DOOLEY.
WHAT DO WE DO WITH HIM?
DELIVER HIM TO THIS ADDRESS.
THEY'VE GOT A GAS CHAMBER.
YOU GO, TOO, MAC.
WHO, ME?
YOU HEARD ME.
WHERE IS BRIDGEPORT?
SOMEWHERE ON THE STATE HIGHWAY.
ASK SOMEBODY AND GET GOING.
WELL, THAT'S THAT.
COME ON, SUSAN, LET'S GET GOING.
YOU SURE YOU DON'T WANT MY COAT?
NO, DAVID. I'M COMPLETELY DRY.
WELL, LET'S GO, THEN.
HEY. I WONDER WHAT THAT IS.
HEY, MAC, SEE WHAT THAT SIGN SAYS.
DAVID! IT'S THE ZOO TRUCK.
IS IT? THEY'VE GOT BABY.
OH, IS GEORGE WITH HIM?
NO, I CAN'T SEE GEORGE,
BUT WE'VE GOT TO GET BABY AWAY FROM THEM.
OH, NO! ALL I PROMISED TO DO WAS
HELP YOU FIND BABY. WELL, YOU FOUND HIM.
ALL YOU HAVE TO DO IS TALK TO THOSE MEN IN FRONT.
I'LL LET BABY OUT THE BACK. GIVE ME THAT ROPE.
WHAT'LL I SAY TO THEM?
THEY'RE FROM THE ZOO. SAY YOU'RE A ZOOLOGIST.
TALK ABOUT ZOOS. GO AHEAD. GO ON.
I CAN'T FIND BRIDGEPORT.
YOU'VE GOT THE MAP UPSIDE DOWN.
GOOD EVENING, GENTLEMEN.
HELLO.
UH, MAY I HELP YOU?
YEAH. DO YOU KNOW THE WAY TO BRIDGEPORT?
OH, UH...
I'M NOT GOING TO BRIDGEPORT.
NO. WE'RE GOING TO BRIDGEPORT.
KNOW WHICH WAY IT IS? YES.
IT'S THAT WAY, RIGHT?
YES.
I THOUGHT IT WAS THAT WAY.
YES, IT IS. TOLD YOU.
DON'T YOU WORRY. I'LL SOON GET YOU OUT.
NOW, COME ON. COME ON.
I'LL PUT THIS AROUND YOUR NECK.
PUT YOUR HEAD THROUGH.
HEY. HEY, WHAT'S THE BIG IDEA?
PUT YOUR HEAD THROUGH HERE,
AND I'LL TAKE YOU BACK HOME.
COME ON, SWEETIE. COME ON--OH!
David: NEW YORK IS STRAIGHT AHEAD.
Man: THIS GUY AIN'T GOT ALL HIS BUTTONS.
David: WELL, I-- YOU SEE, WE'VE FOUND--
DAVID, HE'S ESCAPED!
I'M JUST EXPLAINING TO THESE GENTLEMEN--
HE'S ESCAPED!
OH, HE'S ESCAPED.
SHALL WE HELP YOU TIE HIM UP, LADY?
NO, NOT ME. YOU'RE MISTAKEN.
WELL, GOOD NIGHT, GENTLEMEN.
[WA-A-ARGH]
OVER THERE.
WE'RE ON THE RIGHT TRACK NOW, DAVID, I'M SURE.
DO YOU SEE HIM, DAVID?
NO. HE'S FURTHER DOWN THIS WAY.
I'LL TRY OVER HERE.
I'M CERTAIN THE SOUNDS CAME FROM THIS WAY.
[GUNSHOTS]
WHAT'S THAT?
SOMEBODY'S SHOOTING AT HIM!
YOU MISSED AGAIN.
QUIET!
MAJOR APPLEGATE, DON'T SHOOT!
STAND BACK, PLEASE, PLEASE.
I WON'T MISS THIS TIME.
WE'RE TRYING TO CATCH THAT LEOPARD.
WELL, SO AM I!
IT'S A TAME LEOPARD.
I DISLIKE SAYING IT,
BUT EVERYBODY KNOWS YOU'RE CRAZY.
PLEASE DON'T DO THAT!
SUSAN--
SUSAN, WHY DON'T YOU EXPLAIN,
THEN PERHAPS YOU'LL CATCH YOUR LEOPARD.
MAJOR, YOU KNOW AUNT ELIZABETH
WAS EXPECTING A LEOPARD FROM BRAZIL?
I HAD HEARD THAT.
THAT'S HER LEOPARD AND IT'S TAME.
IMPOSSIBLE. THERE'S NO SUCH THING AS--
A TAME LEOPARD?
A TAME LEOPARD.
WE HAD IT LOCKED UP, AND IT ESCAPED.
IT'S HARMLESS?
ABSOLUTELY.
MY GOODNESS, WHY DIDN'T YOU SAY SO?
WELL, I--
I APOLOGIZE TO YOU, UH, MR. BONEY.
THANK YOU.
WE SHOULD TRY TO CATCH IT, RIGHT?
WHICH WAY-- WHICH WAY?
THAT WAY.
WE'LL GO THAT DIRECTION,
YOU GO THERE. COME ON, DAVID.
DON'T SHOOT. OF COURSE NOT!
GEORGE! GEORGE!
I KNEW ALL THE TIME HE WAS TAME.
OH, IS THAT SO?
I PATTED HIM ON THE BACK.
STRETCHED ME HAND RIGHT OUT AND PATTED HIM.
HE'S AS GENTLE AS A KITTY.
GENTLE AS A KITTY.
I DON'T KNOW WHY YOU DIDN'T MENTION THIS--
THERE HE IS.
WELL, THIS WILL ALL BE QUITE SIMPLE.
GIVE ME THAT ROPE. YOU HOLD THE GUN.
WE SHAN'T NEED THAT ANY FURTHER.
GOGARTY, YOU STAND PERFECTLY STILL
AND LEAVE EVERYTHING TO ME.
I'VE HAD VAST EXPERIENCE IN THESE MATTERS.
HERE, KITTY, KITTY, KITTY, KITTY.
COME, KITTY, KITTY, KITTY, KITTY.
[ROARS]
HA HA! DON'T YOU FOOL ME.
YOU'RE NOT AFRAID OF ME, NOW, ARE YOU?
COME, PUSS, PUSS, PUSS--
UH, YOU SAY YOU PATTED THIS BEAST?
IN A MANNER OF SPEAKING, I DID.
PERSONALLY, GOGARTY, I THINK YOU'RE A LIAR.
GET OUT OF ME WAY!
THE GUN, MAN! YOU BETTER USE THE GUN!
THE GUN, MAN! USE THE GUN!
YOU SEE HIM, DAVID?
NOPE!
OH, DEAR! I'VE LOST MY SENSE OF DIRECTION.
I WONDER WHERE WE ARE.
PROBABLY SOMEWHERE NEAR THE CANADIAN BORDER BY NOW.
OH, NO, DAVID. WE--
OH! SO SORRY!
OH, MY GLASSES! DON'T MOVE, SUSAN.
OH, HERE THEY ARE. HERE THEY--
OH, DAVID, THEY'RE BROKEN.
I'M SO SORRY.
OH, IT DOESN'T MAKE ANY DIFFERENCE.
THE THINGS I'VE BEEN DOING TODAY,
I CAN DO JUST AS WELL WITH MY EYES SHUT.
WELL...
WELL, ANYWAY, DAVID,
YOU LOOK MUCH HANDSOMER WITHOUT THEM.
OH, STOP IT.
OH, LOOK, DAVID, I'VE LOST MY HEEL.
LOOK AT ME WALK. HA HA HA!
[HUMMING MARCH MUSIC]
SUSAN! SUSAN!
I WAS BORN ON THE SIDE OF A HILL.
SUSAN, STOP.
I WAS BORN ON THE SIDE OF A HILL.
SUSAN, STOP!
LOOK, WE'RE NOT GETTING ANYWHERE LIKE THIS.
YOU MUST BE VERY TIRED, AND I SUGGEST YOU GO HOME.
OH, BUT, DAVID, WE CAN'T QUIT NOW.
WE'VE LET A WILD ANIMAL
LOOSE ON AN INNOCENT COUNTRYSIDE.
WE CAN'T JUST GO HOME AND SLEEP.
YOU MISUNDERSTAND ME. I WANT YOU TO GO HOME.
BUT, DA--
YOU MEAN YOU WANT ME TO GO HOME?
YES.
YOU MEAN YOU DON'T WANT ME TO HELP YOU ANYMORE?
NO.
AFTER ALL THE FUN WE'VE HAD?
YES.
AFTER EVERYTHING I'VE DONE FOR YOU?
THAT'S WHAT I MEAN.
I KNOW ENOUGH TO GO WHEN I'M NOT WANTED.
AND DON'T YOU WORRY ABOUT ME.
I CAN TAKE CARE OF MYSELF. AAH!
OH, MY GOODNESS.
SUSAN. SUSAN, ARE YOU ALL RIGHT?
YES, I'M ALL RIGHT.
DID YOU HURT YOURSELF?
I DIDN'T HURT MYSELF. IT'S NOT THAT.
IT'S JUST THAT I'M MISERABLE
BECAUSE YOU DON'T LIKE ME ANYMORE.
OH, YES, I DO.
YOU TRIED TO GET RID OF ME.
YOU DON'T LIKE ME ANYMORE.
NO. NO. YOUR FACE IS DIRTY.
OH, OH, NOW YOU'RE BEING NICE TO ME
AFTER ALL THE HORRIBLE THINGS I'VE DONE TO YOU.
OH, SUSAN. STOP CRYING, SUSAN, PLEASE.
IT'S JUST THAT EVERYTHING I DO
WITH THE BEST INTENTIONS SEEMS TO TURN OUT BADLY.
YES, IT DOES, DOESN'T IT?
OH, DAVID, PLEASE LET ME COME WITH YOU.
OH, DAVID.
WELL...WELL, ALL RIGHT, SUSAN.
YOU CAN COME WITH ME.
ARE YOU SURE YOU WANT ME?
YES, YES.
POSITIVE?
YES, YOU CAN COME. COME ON.
DON'T YOU WORRY, DAVID,
BECAUSE IF THERE'S ANYTHING THAT I CAN DO TO HELP YOU,
JUST LET ME KNOW, AND I'LL DO IT.
WELL, DON'T DO IT UNTIL I LET YOU KNOW.
MM-MM.
[ARF]
COME ON, GEORGE.
HA HA!
OH, LOOK, DAVID. BABY'S ON THE ROOF.
COME ON, BABY. COME ON DOWN. COME ON.
OH, DAVID, MAKE HIM GET DOWN.
I SUPPOSE YOU'D LIKE ME TO CLIMB UP AND PUSH HIM DOWN?
WELL, MAYBE WE'D BETTER SING.
♪ I CAN'T GIVE YOU ANY-- ♪
WELL, SING, DAVID.
♪ I CAN'T GIVE YOU ANYTHING BUT LOVE ♪
♪ BABY ♪
♪ THAT'S THE ONLY THING I'VE PLENTY OF ♪
[HOWL]
♪ BABY ♪
♪ DREAM A WHILE, SCHEME A WHILE ♪
[YOWL]
♪ YOU'RE SURE TO FIND ♪
♪ HAPPINESS AND I GUESS ♪
♪ ALL THOSE THINGS YOU'VE ALWAYS ♪
♪ PINED FOR ♪
♪ GEE, IT'S GREAT TO SEE YOU LOOKING SWELL ♪
♪ BABY ♪
♪ DIAMOND BRACELETS WOOLWORTH'S NEVER SELL ♪
♪ BABY ♪
♪ TILL THAT LUCKY DAY ♪
♪ YOU KNOW DARN WELL ♪
OH, BABY!
♪ BABY... ♪
OH, DAVID, WHERE ARE YOU GOING?
I'LL BE BACK! OH, DEAR.
♪ I CAN'T GIVE YOU ANYTHING BUT LOVE ♪
NOT YOU, IT. ♪ I CAN'T GIVE-- ♪
WHAT ARE YOU DOING, MAY I ASK?
SINGING.
♪ ...YOU ANYTHING BUT LOVE ♪
IF YOU'RE PAYING A BET,
THERE MUST BE SOMEWHERE ELSE TO PAY IT.
I'M NOT PAYING A BET.
THERE'S A LEOPARD ON YOUR ROOF.
I'M NOT GOING TO BANDY WORDS AT THIS TIME OF NIGHT.
♪ SCHEME A WHILE ♪
THERE IS A LEOPARD ON YOUR ROOF,
AND TO GET IT, I HAVE TO SING.
THERE'S NOTHING ON MY ROOF.
THERE'S NOTHING ON YOUR ROOF?
NO. HA HA!
ALL RIGHT. THERE'S NOTHING ON YOUR ROOF.
♪ HAPPINESS, AND I GUESS ♪
♪ ALL THOSE THINGS... ♪
POOR GIRL. YOU'D BETTER GO DOWN, FRITZ.
♪ GEE, IT'S GREAT... ♪
SING IF YOU LIKE, DEAR.
THANK YOU. ♪ SWELL, BABY ♪
YOU CAN SING, TOO.
♪ DIAMOND BRACELETS WOOLWORTH'S NEVER SELL ♪
♪ BABY ♪
WHY DID YOU DO THAT? YOU FRIGHTENED HIM AWAY.
IT'S ALL RIGHT.
IT'S NOT ALL RIGHT.
DON'T WORRY.
I HAVE TO WORRY. PLEASE HELP ME FIND HIM.
I CERTAINLY WILL. COME WITH ME.
YOU DON'T UNDERSTAND. HE WENT THAT WAY.
NO, HE DIDN'T. I SAW HIM.
YOU'RE WRONG. HE'S UP THERE.
WHERE? THERE.
PEEKING AROUND THE CORNER. SEE IT?
NO, I DO--HEY. HEY! THERE'S NOTHING THERE.
THERE'S NOTHING THERE!
OH, YES, THERE IS. COME ALONG INTO THE HOUSE.
YOU LET ME GO!
YOU DON'T SEEM TO UNDERSTAND
THAT THERE'S $1 MILLION AT STAKE.
$1 MILLION? YES.
WELL, YOU'LL GET IT.
IT'S RIGHT IN THERE, ALL IN $1.00 BILLS.
NOW YOU JUST COME ALONG.
OH, NO! DON'T DO THIS TO ME!
OH, THIS IS AWFUL!
PSST! ELMER, LOOK.
YOU KNOW HIM?
NO. LOOKS LIKE A PEEPING TOM.
PEEPING TOM, EH?
GET YOUR GUN OUT. WE'LL NAB HIM.
STICK 'EM UP! [ARF ARF]
COME ON, GRAB HIM, ELMER. GRAB HIM.
GEORGE! I HAVE TO GET MY DOG!
GEORGE! DON'T GO AWAY, GEORGE!
DON'T ARGUE. DON'T ARGUE. INSIDE.
WHAT ARE YOU DOING?
I HAVE A HAIRPIN.
David: OH!
WELL, I DID IT ONCE WITH A TRUNK.
ANYWAY, DAVID, WHEN THEY FIND OUT
WHO WE ARE, WHY, THEY'LL LET US OUT.
WHEN THEY FIND OUT WHO YOU ARE,
THEY'LL PAD THE CELL.
WE'VE PICKED UP A GIRL WHO SAYS SHE'S YOUR NIECE.
NOW THE QUESTION IS,
HAVE YOU OR HAVE YOU NOT GOT A NIECE?
OF COURSE I HAVE A NIECE,
BUT SHE'S NOT SINGING AROUND UNDER WINDOWS.
SHE'S DECENTLY IN BED.
I WOULDN'T BE TOO SURE, ELIZABETH.
OH, HORACE, DO BE QUIET.
I'LL TALK TO YOU PRESENTLY.
NOW LADY, DO YOU DEFINITELY REFUSE
TO COME DOWN AND IDENTIFY THIS GIRL?
IF YOU CONTINUE TO ANNOY ME ABOUT THIS GIRL,
WHO IS NO RESPONSIBILITY OF MINE,
I'LL HAVE YOU ARRESTED. THE IDEA.
HELLO.
SHE SAYS HER NIECE IS IN BED.
UH-HUH. JUST WHAT I EXPECTED.
THAT GIRL IS LYING.
I THINK YOU'RE RIGHT. I THINK THEY'RE BOTH LYING.
NOW, WHAT ARE YOU GOING TO DO ABOUT IT?
WELL, WHAT WOULD YOU DO?
FIND OUT THE TRUTH.
YOU'RE RIGHT. I'LL GO BACK
AND HAVE A LITTLE TALK WITH THEM.
COME ON, ELMER. OPEN 'ER UP.
NOW LOOK HERE, YOU TWO,
GET YOUR EARS UP LIKE A RABBIT,
'CAUSE I'VE GOT SOMETHING TO TELL YOU.
IF YOU EVER WANT TO GET OUT OF THIS JAIL,
YOU BETTER LISTEN.
I'M LISTENING.
QUIET, YOUNG LADY. I'M GONNA GET TO YOU LATER.
I WANT YOU TO TELL ME THE TRUTH,
THE WHOLE TRUTH, AND NOTHING BUT THE TRUTH.
WELL, WHAT DID MY AUNT SAY?
QUIET, PLEASE.
WHAT DID MY AUNT SAY?
YOUR AUNT? WHY, SHE SAID--
NOW, YOUNG LADY, YOU HAVEN'T GOT AN AUNT.
BUT I CERTAINLY HAVE GOT AN AUNT!
QUIET. QUIET, PLEASE.
NOW LOOK HERE, YOUNG FELLA.
I WANT YOU TO TELL ME JUST EXACTLY
WHAT WERE YOU DOING TONIGHT?
WELL, WE WERE HUNTING FOR A LEOPARD.
YOU WERE HUNTING FOR A LEOPARD?
NOW, LOOK HERE. LOOK HERE, YOUNG LADY.
NOW, YOU KNOW THAT'S SILLY.
THERE NEVER WAS A LEOPARD
IN THE WHOLE STATE OF CONNECTICUT.
WELL, THERE IS NOW.
NOW, YOUNG LADY, LISTEN HERE.
I'M GOING TO STAY HERE IF IT TAKES ALL YEAR.
I AM WAITING FOR YOU TO TELL THE TRUTH.
OH, IF YOU'RE GONNA WAIT FOR HER TO TELL THE TRUTH,
YOU'LL HAVE A LONG GRAY BEARD DOWN TO HERE.
YOU KNOW, IT'S A FUNNY THING.
MY GRANDFATHER HAD-- QUIET!
YOUNG MAN, LISTEN. I DON'T WANT ANY MORE
SLICK REMARKS OUT OF YOU. THIS IS A JAIL.
I WANT YOU TO HAVE
A LITTLE RESPECT FOR THE LAW.
I'M JUST TRYING TO EXPLAIN, MR. CONSTABLE.
YOU SEE, IT ALL STARTED
OVER AT MY AUNT-- AT HER AUNT'S HOUSE.
HER AUNT'S HOUSE. YES, YES.
YOU SEE, HER AUNT PROMISED TO GIVE ME--
HOLD ON. HOLD ON THERE, BUB. JUST A MINUTE.
SHE HASN'T GOT AN AUNT.
I CERTAINLY HAVE. SHE'S MY FATHER'S SISTER.
NOW LOOK HERE, CONSTABLE. COME OVER HERE.
YOUNG LADY--
STOP WASTING YOUR TIME. NOW, QUIET. NOW LOOK HERE.
YOU WANT US TO GET OUT OF HERE, DON'T YOU?
OH, LADY, YES. I CERTAINLY DO.
WELL, NOW, I GAVE YOU MY AUNT'S TELEPHONE NUMBER,
DIDN'T I? YEP.
AND YOU CALLED HER UP, DIDN'T YOU?
I SURE DID.
AND WHAT DID SHE SAY?
WELL, SHE SAID THAT YOU WERE HOME IN BED.
THEN WHAT AM I DOING HERE?
WELL, YOU'RE HERE BECAUSE YOUR--
YOUR AUNT, SHE--OH, CONFOUND IT, LADY!
YOU KNOW THAT YOU HAVEN'T GOT AN AUNT!
BUT IF I DID HAVE AN AUNT--
SHE'D MUZZLE YOU.
NOW, LOOK HERE!
YOU CAN'T TALK TO ME THAT WAY!
NOW, HOW DO YOU KNOW WE WERE DOING ANYTHING--
I DON'T LIKE TO SEE YOUNG PEOPLE IN TROUBLE.
I HAVE CHILDREN OF MY OWN!
LISTEN, I DON'T CARE ANYTHING ABOUT YOUR FAMILY!
ALL I WANT TO DO IS TO GET OUT OF HERE!
I HAVEN'T GOT TIME TO WASTE,
SITTING AROUND IN A JAIL IN CONNECTICUT!
WHAT ABOUT-- WAIT.
GO AWAY, PLEASE.
OH, SHUT UP, DAVID.
NOW, DAVID, PLEASE BE QUIET.
NOW, LET ME TELL YOU WHAT HAPPENED.
WE LEFT NEW YORK AT 11:00 THIS MORNING IN A--
NOW, LOOK. WHAT?
SEE, YOU'RE NOT GONNA
GET ANYWHERE WITH HER. YOU JUST COME WITH ME.
THAT'S BETTER. IF ONE OF US TALK AT A TIME,
NOW WE'RE REALLY GETTING SOMEWHERE.
NOW JUST BE CALM, MR. CONSTABLE.
NOW, THEN, SPEAK UP. SPEAK FAST.
OH! ELMER!
ELMER! GET THE KEY HERE, QUICK.
LOCK HIM UP! LOCK HIM UP!
WELL, A FINE OFFICER YOU ARE,
LOCKING UP A DANGEROUS CRIMINAL
WITHOUT LOCKING HIM UP.
IT'S NOT LOCKED.
HUH?
OH. THANK YOU.
I MEAN, I'VE SEE-- I'VE SEEN IT!
YOU DON'T HAVE TO DO NO HARM!
I'VE SEEN IT!
YOU HAVE ABSOLUTELY NO RIGHT TO DO THAT!
HERE, HERE, WHAT'S GOING ON HERE?
IN THE--UHH!
HERE'S SOMETHING FOR YOU, CONSTABLE.
WELL, WHAT'S THE CHARGE?
WE CAUGHT HIM JUST AS HE WAS
DRIVING UP IN FRONT OF THE MEAT MARKET
IN DR. LEHMAN'S STOLEN CAR.
OH, HO! SO YOU'RE A CAR THIEF, HUH?
CO--NO MAN IS GOING
TO CALL ALOYSIUS GOGARTY A CAR THIEF.
COME ON! COME ON! COME ON!
NAB HIM, NAB HIM.
LOCK HIM UP. LOCK HIM UP.
HEY, LET GO! LET GO!
THERE YOU ARE, YOUNG FELLA. THERE.
THIS SHOULD HOLD YOU FOR A WHILE.
HELLO, GOGARTY.
AH, MISS SUSAN! HOW DID YOU GET IN?
INFLUENCE.
DON'T WORRY, GOGARTY. I'LL GET YOU OUT.
OH, SURE, SURE. LOOK, SHE GOT ME OUT.
SAY, HOLD ON HERE. DO YOU KNOW THIS YOUNG LADY?
OF COURSE I DO! I WORK FOR HER AUNT.
YOU WHAT?
DON'T I WORK FOR HER AUNT.
NOW, LOOK HERE.
IF ONE MORE PERSON MENTIONS THAT SHE'S GOT AN AUNT,
I'LL PUT YOU ALL ON BREAD AND WATER FOR 30 DAYS.
WELL, WHERE IS EVERYONE? WHO'S IN CHARGE HERE?
RIGHT IN THERE. HEY, CONSTABLE.
WHAT DO YOU MEAN BY LOCKING UP MY NIECE?!
I WON'T STAND FOR IT! GIVE ME THE KEYS.
COME ALONG, COME ALONG, COME ALONG!
YOU'RE HYSTERICAL.
SAY, WHAT IS IT YOU WANT?
SHE WANTS HER NIECE.
I CERTAINLY DO. I WANT MY NIECE RIGHT HERE.
WELL, WHO IS YOUR NIECE?
YOU GIVE US A DESCRIPTION OF HER,
AND THEY'LL FIND HER.
SHE'S ABOUT SO TALL.
AUNT ELIZABETH, IS THAT YOU?
THERE SHE IS NOW.
EH EH EH! HOLD ON HERE. HOLD ON NOW.
JUST A MINUTE. LADY, TELL ME. WHO ARE YOU?
I AM MRS. CARLETON RANDOM, AND I WANT MY NIECE.
OH, SO YOU'RE MRS. CARLETON RANDOM?
I CERTAINLY AM!
AND YOU SAY YOUR NIECE IS HERE?
SHE CERTAINLY IS!
HA! THAT'S WHERE I'VE GOT YOU!
THE YOUNG LADY WE'VE GOT HERE
AIN'T GOT NO AUNT.
AND YOU'RE NOT MRS. CARLETON RANDOM,
BECAUSE I TALKED TO MRS. CARLETON RANDOM
ON THE TELEPHONE NOT 10 MINUTES AGO.
I OUGHT TO KNOW WHO I AM!
YES, YOU SHOULD, ELIZABETH, I THINK.
YOU DID TALK TO HER 10 MINUTES AGO
ON THE TELEPHONE. THAT'S RIGHT.
HOW DO YOU KNOW?
I WAS THERE. WHO ARE YOU?
I'M THE NIECE-- UH,
I'M THE AUNT, UH...
I'M MAJOR HORACE APPLEGATE
OF THE EXPLORER'S CLUB.
SAY, WHAT ARE YOU DOING WITH THAT GUN?
THE GU--I HAVE BEEN HUNTING LEOPARDS.
OH, UH...YOU'VE BEEN HUNTING LEOPARDS?
I SAID SO. I'VE BEEN HUNTING LEOPARDS, YES.
ANY LUCK?
WELL, NOT WHAT I'M ACCUSTOMED TO, NO.
I HAVE BEEN A BIT CONFUSED
REGARDING THE LEOPARDS. I--
BOYS. BOYS.
YOU HAVE SOMETHING ON YOUR MIND,
HAVEN'T YOU? WAIT! NO, WAIT!
NOW, THERE'S NO NEED FOR VIOLENCE!
MADAM!
OH!
NOT SO FAST. NOT SO FAST, LADY.
WE JUST WANT TO FIND OUT.
THIS OLD BATTLE-AX WE GOT HERE
KEEPS YELLING THAT SHE'S MRS. RANDOM.
WHY, THAT'S RIDICULOUS! MRS. RANDOM IS IN BED.
AND DON'T YOU BE CALLING UP HERE AGAIN.
GOOD NIGHT.
EH...GOOD NIGHT.
WELL, JUST AS YOU SAID, DOC, THEY'RE ALL LYING.
OBVIOUSLY. I HAVE NO DOUBT YOU WILL FIND
YOU MADE A VERY IMPORTANT HAUL.
YEAH. THANKS TO YOU, DOC.
IF YOU GET THEIR CONFESSIONS, CONSTABLE,
THERE WILL BE A LOT OF THINGS YOU WILL TURN UP.
YEAH? WELL, I'LL TRY IT AGAIN.
COME ON, BOYS.
NOW, YOU FOLKS...
[OVERLAPPING TALKING]
BE ABSOLUTELY QUIET!
WE'VE GOT TO GET DOWN TO BARE FACTS HERE.
QUIET! QUIET! QUIET!
NOW LOOK HERE, I WARN YOU,
THE FIRST ONE LETS A SQUEAK OUT OF 'EM,
I'M GONNA PUT IN SOLITARY CONFINEMENT.
I'M GONNA ASK THIS YOUNG MAN A FEW QUESTIONS,
AND I WANT ABSOLUTE QUIET!
NOW, YOUNG MAN, YOU SAID YOUR NAME IS BONE.
DO YOU STICK TO IT? WELL, I--
WON'T DO YOU ANY GOOD. WE DON'T BELIEVE YOU.
WE KNOW THAT'S AN ALIAS.
NOW, WE KNOW THAT AIN'T YOUR RIGHT NAME.
YOU'RE IMPERSONATING SOMEBODY.
WHAT WERE YOU DOING,
TRYING TO BREAK INTO DR. LEHMAN'S HOUSE?
I WAS AFTER A LEOPARD.
LEOPARD. YEAH, YEAH.
DOC, THEY'LL STILL STICK TO IT.
THEY'VE AGREED ON ONE STORY.
HOW ABOUT THAT BANK ROBBERY IN OLD TOWN?
OH, WHAT ABOUT IT? HOW MUCH DID THEY GET?
OH, THEY GOT A PRETTY PENNY, MUST HAVE GOT 5,600--
SAY, WHO'S ASKING THESE QUESTIONS, YOU OR ME?
WHO WAS WITH YOU LAST MONTH IN ROCKDALE
IN THAT MAIL-TRUCK JOB?
MICKEY THE MOUSE AND DONALD THE DUCK.
DOC, MAKE A NOTE OF THEIR NAMES.
NOW YOU'RE BEGINNING TO TALK.
WE'RE GETTING SOMEPLACE. NOW--
HEY. SPEAK UP.
QUIET, LADY. I'M WAITING FOR YOU.
HEY! QUIET, LADY.
SPEAK UP, NOW.
HEY, FLATFOOT!
YOU AIN'T GETTING NO PLACE.
COME HERE. ME?
YES, YOU. COME ON, HAUL IT OVER.
YOU WANT SOMEONE TO TALK, DON'T YOU?
WELL, IT'S ABOUT TIME. I CERTAINLY DO.
YEAH. WELL, GET ME OUT OF THIS COOLER,
AND I'LL UNBUTTON MY PUSS AND SHOOT THE WORKS.
YOU'LL UNBU-- SAY, HOLD ON, LADY,
I THOUGHT THAT YOU WERE--HEY,
YOU AIN'T NO LADY.
YEAH. I KIND OF HAD YOU FOOLED FOR A MINUTE, DIDN'T I?
YOU SURE DID.
ALWAYS COULD MAKE A SUCKER OUT OF A COPPER.
WHAT DID I TELL YOU MY NAME WAS?
WHY, YOUR NAME IS-- DOC, WHAT'S HER NAME?
SUSAN VANCE. SUSAN VANCE.
VAUNCE, KIDDIE, VAUNCE. THAT'S MY SOCIETY MONIKER.
BUT THE MOB ALL CALLS ME SWINGING DOOR SUSIE.
SWINGING DOOR SUSIE?
NOW YOU PICK ME? COME ON, TOOTS, OPEN UP.
EH EH EH! STOP--STOP--STOP THAT.
STOP THAT! I'M NOT OPENING ANY DOORS
AROUND HERE UNTIL YOU PROMISE TO TALK.
LISTEN, I'LL TALK.
I'LL TALK SO MUCH, IT'LL YOUR HAIR WILL CURL.
YOU'LL TALK? DO YOU HEAR THAT, DOC?
SHE'S PROMISED TO TALK. ALL RIGHT,
I'LL OPEN 'ER UP.
SUSAN, IT WON'T WORK, WHATEVER IT IS.
IT WON'T WORK!
SWINGING DOOR SUSIE HASN'T FLOPPED YET,
AND I'M THIS FAR, AIN'T I? WELL, SO LONG, GANG.
I'M NOT TAKING THE RAP FOR THIS JOB.
IT'S EVERY MAN FOR HIMSELF.
[SHOUTING]
NOW, HERE, HERE! QUIET! QUIET!
YOU KNOW WHAT I TOLD YOU,
AND I MEANT IT! YOU, TOO!
AH, QUIT BEEFING.
GET WISE TO YOURSELF. THE HEAT'S ON, JERRY.
JERRY? JERRY? AIN'T HIS NAME BONE?
BONE? AW, YOU MEAN TO SAY
YOU DON'T REMEMBER JERRY THE NIPPER?
MAKE A NOTE OF THAT, DOC.
CONSTABLE, SHE'S MAKING ALL THIS UP
OUT OF MOTION PICTURES SHE'S SEEN.
OH, I SUPPOSE I SAW YOU
WITH THAT REDHEADED SKIRT IN A MOTION PICTURE?!
THERE YOU ARE, DOC. ANOTHER WOMAN.
SURE. I WOULDN'T BE SQUEALING
IF HE HADN'T GIVEN ME THE RUNAROUND
WITH THAT OTHER TWIST.
OH, SO HE'S A LADY-KILLER.
A LADY-KILLER? WHY, HE'S A REGULAR DON SWAN.
LOVES THE LADIES, DON'T YOU, HONEY?
HE BOPS THEM OVER-- 1, 2, 3, BOOM!
JUST LIKE THAT. HE'S A WOLF.
OH, NOW I'M A WOLF! OH!
I'LL SEND YOU A BOX OF BIRDSEED.
NOW, SUSIE, I WANT YOU TO TELL THE TRUTH,
YOU UNDERSTAND? YOU'LL NEVER GET INTO TROUBLE.
I NOTICE YOU'RE LIMPING THERE.
SUPPOSE YOU GOT SHOT IN ONE OF THEM STICKUPS?
NO. I LOST MY HEEL.
WELL, DON'T BOTHER ABOUT HIM.
JUST SIT RIGHT DOWN THERE.
COME ON, DOC. GRAB THIS CHAIR.
HERE, ELMER, GRAB AHOLD OF THAT TYPEWRITER.
I WANT TO GET THIS WHOLE THING NOW
IN AFFIDAVIT FORM.
NOW, LOOK HERE, YOUNG LADY,
I WANT YOU TO TALK,
AND I WANT YOU TO TALK FAST.
CIGARETTE ME, THEN I'LL TALK.
I DON'T SMOKE CIGARETTES.
WELL, I GUESS THIS WILL HAVE TO DO.
HUH? OH, IT'S A TWOFER.
WHAT'S THAT?
TWO FOR A NICKEL. GIVE ME A MATCH.
HERE.
NOW, LOOK HERE. I'M NOT GONNA STAND
FOR THAT IN THIS JAIL.
NO SMOKING, NO TALKING.
PUT ME BACK IN THE CELL, WRAP ME UP AGAIN.
UH-UH-UH! AIN'T GONNA TALK
UNLESS I HAVE A CIGARETTE.
NOW, HOLD IT HERE. JUST SIT DOWN NOW. SIT DOWN.
SHE WON'T TALK WITHOUT A CI--
HERE, DOC, GIVE HER ONE OF THEM CIGARETTES.
NOW, THEN, IF YOU'LL JUST TELL THE TRUTH,
WHY, WE'LL MAKE IT AS EASY AS WE CA--
HEY! MY CASE, IF YOU PLEASE.
OH, WELL, WELL, WELL. NOW, THERE I GO AGAIN.
SORRY, BOYS. FORCE OF HABIT.
FORGOT WHERE I WAS FOR A MINUTE.
NOW--HEY!
HOW ABOUT A LITTLE FRESH AIR?
IT'S KIND OF HOT IN HERE.
YES, IT IS A LITTLE BIT MUGGY, ISN'T IT?
IT'S ALWAYS THAT WAY AROUND HERE
AT THIS TIME OF YEAR. IT'S THE HUMIDITY.
NOW, WHAT ABOUT THE CLEGHORN JEWELS?
AH, THAT'S HOT ICE, MISTER.
WE'RE WAITING FOR IT TO COOL OFF.
"WE'RE WAITING FOR IT TO COOL--"
WHERE? WHAT DO YOU MEAN "WE"?
THE GANG. THE GANG. ALL OF US.
YOU MEAN TO SAY THAT
YOU ALL BELONG TO THE SAME GANG?
SURE. THE LEOPARD GANG, ORGANIZING PROPER.
THE LEOPARD GANG. THAT'S WHAT I'M AFTER, DOC.
WE'LL ROUND THEM ALL UP WITH ONE FELL SWOOP.
YOU GOT THAT DOWN?
I GOT IT. FINE.
HOW ABOUT YOU, ELMER?
NOT SO FAST. THIS IS NEW TO ME.
SAY, HOLD ON, YOU FOOL.
YOU CAN'T SPELL LEOPARD WITH A "U"!
HOW DO YOU SPELL IT? DOUBLE U.
DOUBLE "U."
WHAT ABOUT THAT BANK ROBBERY?
BOY, OH, BOY, OH, BOY!
WASN'T THAT A HONEY? WASN'T THAT A PIP?
A NEATER JOB HAS NEVER BEEN PULLED
IN THIS NECK OF THE WOODS.
JERRY WAS THE INSIDE MAN ON THAT JOB.
OH, HE WAS, WAS HE? WERE YOU THERE, TOO?
SURE! WHAT DO YOU THINK?
I'M A ONE-MAN WOMAN.
WHERE MY MAN GOES, I GO, AND IF I DON'T, HE DON'T.
BABYFACE HORACE, HE'S THE TRIGGER MAN--
WAIT A MINUTE! YOU'RE TALKING TOO FAST!
EH-EH-EH! WHAT'S THAT?
BABYFACE HORACE--
CONFOUND IT, DOC! LOOK THERE!
YOU ONLY GOT AS FAR AS THE CLEGHORN JEWELS.
NOW WE GOT TO START ALL OVER.
NOW, YOUNG LADY, I--
[CAR ENGINE RUNS]
SAY! THERE SHE GOES!
SHE'S GOT MY CAR AGAIN!
COME ON, BOYS, AFTER HER.
HURRY UP! GET HER! GET HER!
THERE SHE GOES.
GO GET HER, BOYS! GO GET HER!
IF YOU DON'T BRING HER BACK, THERE'S GOING TO BE
A SHAKE-UP IN THIS DEPARTMENT. GO GET HER!
IF I GET MY HANDS ON HER, I'LL LOCK HER UP SO TIGHT--
ARE YOU THE CONSTABLE HERE?
YES, I AM. WHAT DO YOU WANT?
I'M LOOKING FOR--
NOW DON'T TELL ME THAT YOU'RE LOOKING
FOR A LEOPARD OR BY JINGLE, I'LL LOCK YOU UP!
I'M LOOKING FOR MRS. CARLETON RANDOM.
WELL, SO'S EVERYBODY ELSE.
LET ME TELL YOU, SHE'S NOT HERE.
I HAVE REASON TO BELIEVE SHE IS HERE.
SAY, WHO ARE YOU?
I'M HER ATTORNEY, ALEXANDER PEABODY.
AND I'M MISS SWALLOW. I'M LOOKING FOR A MAN
BY THE NAME OF DR. HUXLEY.
DR. DAVID HUXLEY.
IS HE HERE WITH MRS. RANDOM?
OH, NOW, LADY, LOOK HERE. THE ONLY FOLKS WE GOT HERE
IS AN OLD WOMAN WHO KEEPS SAYING
THAT SHE'S MRS. RANDOM.
THEN WE GOT A GANGSTER HERE BY THE NAME OF BONE.
THEN WE HAVE BABYFACE HORACE--NOW, STOP IT!
THEN WE HAVE--STOP IT! WHAT IS IT YOU WANT?
I CAN IDENTIFY THIS GENTLEMAN.
YOU MAY REMEMBER, MR. PEABODY.
I TESTIFIED FOR YOU
DURING THE BREAKING OF THE BORDEN WILL.
YES, I REMEMBER.
I DEMAND TO SEE MY CLIENT AT ONCE!
SLOCUM, YOU MAY HAVE MADE A MISTAKE.
AND IF YOU HAVE MADE A MISTAKE,
YOUR POSITION AS CONSTABLE IN THIS COUNTY
WILL BE IN SERIOUS JEOPARDY.
ARE YOU SURE THAT HE'S THE OLD LADY'S ATTORNEY?
POSITIVELY.
[WHISTLES]
ELECTION NEXT WEEK, TOO.
MR. PEABODY, YOU JUST STEP RIGHT INSIDE HERE NOW,
AND WE'LL STRAIGHTEN THIS THING OUT.
AS A MATTER OF FACT, WE DON'T MAKE MISTAKES.
WELL, HERE YOU ARE.
NOW IS SHE OR AIN'T SHE MRS. RANDOM?
WELL, ALEC,
IT'S JUST ABOUT TIME YOU CAME.
OF COURSE SHE'S MRS. RANDOM.
THIS IS ABSURD. OPEN THAT DOOR AT ONCE!
WELL, ALL RIGHT. WHAT ABOUT HIM?
OH, DAVID, I DON'T UNDERSTAND. YOU SAID--
WELL, ALICE, IT'S JUST ONE OF THOSE THINGS.
I CAN'T EXPLAIN IT.
IT HAPPENED, AND HERE I AM.
YES, IN THE LAST PLACE IN THE WORLD
I EXPECTED TO FIND YOU.
YES, WELL, I DON'T LIKE IT
ANY BETTER THAN YOU DO.
OH, REALLY, DAVID.
AND LET THAT YOUNG MAN OUT, TOO.
OH, SHUCKS. LOOKS LIKE I GOT
THE WHOLE THING FUDDLED UP.
WELL, I'M SORRY. THAT'S ALL I CAN SAY ABOUT IT.
YOU HAVEN'T HEARD THE END OF THIS, EITHER. I--
HUXLEY! WHAT DID YOU MEAN
BY THROWING ROCKS AT ME LAST NIGHT?
WELL, YOU SEE, I--
DO YOU MEAN TO TELL ME
THAT THIS IS THE YOUNG MAN
YOU WANTED ME TO DONATE
$1 MILLION TO FOR HIS MUSEUM?
YES, YES-- NO, NO, NO.
I DID, BUT I'VE CHANGED MY MIND.
DAVID, WHAT HAVE YOU DONE?
JUST NAME ANYTHING, AND I'VE DONE IT.
HEY, JOE, WHAT ARE YOU GOING TO TELL THEM?
TELL 'EM THE TRUTH. WE LOST A LEOPARD.
SAY! SAY, ARE YOU THE CONSTABLE AROUND HERE?
WELL, I AM UNTIL THE NEXT ELECTION ANYWAY.
WHAT IS IT YOU WANT?
WE NEED SOME HELP.
WELL, THAT'S WHAT I'M HERE FOR,
TO SERVE THE PUBLIC. WHAT IS IT?
WELL, WE'RE LOOKING FOR...
WELL, WE'RE LOOKING FOR--
NOW, NOW, NOW! DON'T TELL ME
THAT YOU'RE LOOKING FOR A LEOPARD.
HOW DID YOU KNOW THAT?
EH--HUH? KNOW WHAT?
THAT WE'RE LOOKING FOR A LEOPARD.
NOW, LOOK HERE. THIS HAS GONE FAR ENOUGH.
THERE ARE NO LEOPARDS IN THE STATE OF CONN--
[ARF ARF ARF]
NOW, LOOK OUT, EVERYBODY!
THAT'S A BAD CAT! SOMEBODY GET A GUN!
HE'S A KILLER!
NOW, DON'T BE ALARMED.
THERE'S NO NEED TO BE FRIGHTENED, GENTLEMEN.
EVERYTHING'S GOING TO BE ALL RIGHT.
HELLO, BABY.
IS THIS MY LEOPARD?
YES. THAT'S BABY.
OH.
HE DIDN'T ACT THAT WAY WITH ME.
SAY, WAIT A MINUTE.
THAT AIN'T MY LEOPARD.
WELL, OF COURSE IT ISN'T.
THAT'S WHY I TOOK IT OUT OF THE TRUCK.
YOU NEVER LET THAT ONE OUT OF THE TRUCK.
YOU COULDN'T TOUCH OUR CAT WITH A 10-FOOT POLE.
YOU MEAN TO SAY THERE'S ANOTHER LEOPARD?
THAT'S WHAT I'M TRYING TO TELL YOU.
OUR CAT CAME FROM THE CIRCUS.
HE JUST CLAWED A MAN. HE'S BAD!
OH, MY GOODNESS! SUSAN'S OUT
TRYING TO CATCH THE WRONG LEOPARD.
OH, POOR, DARLING SUSAN.
SHE'S IN DANGER,
AND SHE'S HELPLESS WITHOUT ME.
HEY! OH, WHAT'S THE MATTER WITH YOU?
NOW, COME ON.
IF YOU DON'T WANT TO WALK, I'LL DRAG YOU.
YOU'VE GOT TO GET ME OUT OF THIS PLACE.
OH, WHAT'S THE MATTER WITH YOU?
YOU'VE BEEN SLAPPING AT ME THE WHOLE WAY.
NOW, COME ON. WE'VE GOT TO GET IN HERE.
YOU MIGHT AS WELL COME WITHOUT BEING STUBBORN,
BECAUSE I'M GOING TO DRAG YOU IN.
NOW, LISTEN, I'M JUST AS DETERMINED AS YOU ARE,
SO YOU MIGHT JUST AS WELL COME WITH ME,
BECAUSE I'M GOING TO DRAG YOU IN.
I DON'T LIKE JAIL ANY MORE THAN YOU DO,
BUT YOU'VE JUST REALLY GOT TO BE--
HEY, DAVID!
AAH! SUSAN!
THERE'S THE KILLER! LET'S GET OUT OF HERE!
[OVERLAPPING SHOUTS]
WELL, DID I FOOL YOU THIS TIME!
YOU THOUGHT I WAS DOING THE WRONG THING,
BUT I'VE GOT HIM.
NO, YOU HAVEN'T, SUSAN. LOOK!
[COMMOTION CONTINUES]
FLOYD! FLOYD! DON'T LEAVE ME IN HERE!
[GEORGE BARKING]
[RAHR]
AAH!
OH, DAVID!
SUSAN! SUSAN, RUN! RUN!
[SNARLS]
AAH! OH, DAVID!
RUN! RUN, SUSAN! NO!
RUN WHILE YOU HAVE THE CHANCE!
NO! I WON'T LEAVE YOU!
I LOVE YOU! WHAT?!
NO!
SHOO!
WHOA!
POKE HIM, DAVID. POKE HIM!
OH, LET GO, SUSAN, PLEASE!
NO! NO! I WON'T LEAVE YOU!
CAN'T YOU SEE I'M TRYING TO GET IT
INTO THE CELL?
OH! GET IN THERE!
GET IN THERE!
GET IN! GET THE KEYS, SUSAN!
OH, GIVE IT TO ME.
OHH! OH, DAVID.
OH, YOU'RE WONDERFUL. OH, YOU'RE WONDERFUL.
YOU'RE ABSOLUTELY WONDERFUL.
YOU'RE A HERO. YOU SAVED MY LIFE.
OH, YOU'LL GO DOWN IN HISTORY!
I'VE NEVER SEEN SUCH BRAVERY.
DID YOU WANT TO SAY SOMETHING, DAVID?
WELL, I-- WHAT? YES?
YES? WHAT WAS IT?
OH!
DAVID, YOU FAINTED.
DAVID.
WELL, THERE'S NOTHING ELSE I CAN SAY
EXCEPT THAT I'M GLAD THAT BEFORE I MARRIED YOU,
YOU SHOWED YOURSELF UP IN YOUR TRUE COLORS.
YOU'RE JUST A BUTTERFLY.
OH, NOW I'M A BUTTERFLY.
DAVID! DAVID! DAVID!
OH, OH.
OH! HEY! OH, WHERE ARE YOU GOING, DAVID?
WELL, DON'T GO UP THERE. I WANT TO TALK TO YOU.
SEE? I'VE GOT IT.
DAVID, I CAN'T EVEN SEE YOU. NOW, WHERE ARE YOU?
OH, THERE YOU ARE. DAVID,
I FOLLOWED GEORGE AROUND FOR THREE DAYS
AND I DUG HOLES WITH HIM AND HE DUG HOLES WITH ME,
AND THEN HE CAME AND PUT IT IN MY SHOE.
DARLING, LOOK!
OH.
OH, WELL, DAVID, DON'T BE MAD AT ME.
THANK YOU VERY MUCH, SUSAN.
PUT IT DOWN THERE ON THE TABLE
AND GO AWAY.
MM-HMM.
DAVID, WAIT A MINUTE. I DON'T WANT TO GO AWAY.
I WANT TO TALK TO YOU.
WRITE ME A LETTER. DON'T--
OH, GO--GO-- GO BACK, SUSAN! GO--
JEEPERS, IT'S HIGH UP HERE. WHEW!
SUSAN, NOW, LOOK.
PLEASE, GO BACK DOWN THE LADDER QUIETLY.
WELL, WHEN I GO DOWN,
I'LL GO DOWN QUIETLY, DAVID,
BUT I WANT TO FIND OUT SOMETHING FIRST.
WHY DID YOU RUN UP THAT LADDER WHEN I CAME IN HERE?
WELL, IF YOU MUST KNOW, I'M AFRAID OF YOU.
BUT DAVID, IF YOU'RE AFRAID OF ME,
WELL, THAT'S THE SAME AS ADMITTING--
NO, NO! OH! OH!
WELL, DON'T WORRY, DAVID.
EVERYTHING'S GOING TO BE ALL RIGHT.
EVERY TIME YOU SAY THAT, SOMETHING HAPPENS.
NOW, PLEASE GO DOWN, BECAUSE
YOU'VE ALREADY COST THE MUSEUM $1 MILLION.
OH, NO, I HAVEN'T, DAVID.
I'VE GOT THE $1 MILLION.
AUNT ELIZABETH GAVE IT TO ME,
AND I'M GOING TO GIVE IT TO YOU FOR THE MUSEUM.
OH. WELL, I'M SURE THEY'LL BE VERY PLEASED.
AREN'T YOU PLEASED, DAVID?
YES, I SUPPOSE SO, DEAR.
IT'S TOO LATE, ISN'T IT?
I'VE MADE A MESS OF EVERYTHING, HAVEN'T I?
OH, NO, NO--
OH, I WAS SO HAPPY
WHEN I FOUND THE BONE THIS MORNING.
OH, DAVID, IF I COULD ONLY MAKE YOU UNDERSTAND.
YOU SEE, ALL THAT HAPPENED HAPPENED
BECAUSE I WAS TRYING TO KEEP YOU NEAR ME.
AND I JUST DID ANYTHING THAT CAME INTO MY HEAD.
I'M SO SORRY.
I OUGHT TO THANK YOU.
THANK ME?
YES. WHY?
YOU SEE, WELL...
I'VE JUST DISCOVERED THAT WAS THE BEST DAY
I EVER HAD IN MY WHOLE LIFE!
DAVID, YOU DON'T MEAN IT.
I NEVER HAD A BETTER TIME.
BUT I WAS THERE.
WELL, THAT'S WHAT MADE IT SO GOOD.
OH, DID YOU REALLY HAVE A GOOD TIME?
YES, I DID!
OH, BUT THAT'S WONDERFUL!
DO YOU REALIZE WHAT THAT MEANS?
THAT MEANS THAT YOU MUST LIKE ME A LITTLE BIT.
OH, SUSAN, IT'S MORE THAN THAT!
IS IT? YES!
I LOVE YOU, I THINK.
OH, THAT'S WONDERFUL BECAUSE I LOVE YOU, TOO.
STOP ROCKING, DAVID.
OH, I'M NOT ROCKING. I--I--I--
OH! OH! AAH!
OH!
OH! OH! OH!
OH, DAV--OH! DAVID!
OH, SUSAN, PLEASE, THE BRONTOSAURUS!
I'VE WORKED FOUR YEARS WITH IT.
OH, DAVID!
OH!
OH! OH, DAVID!
SUSAN! SUSAN!
OH, LOOK OUT, SUSAN!
OH! GO BACK!
SUSAN! OH!
I'M ALL RIGHT.
SUSAN, PLEASE!
LOOK OUT, SUSAN. SOMETHING'S GOING TO--
OH, I'M FALLING!
OH, MY GOD, SUSAN!
HOLD ON, SUSAN! HOLD ON!
DON'T LET GO! DON'T LET GO!
OH, DAVID, LOOK WHAT I'VE DONE.
OH, I'M SO SORRY.
OH, OH!
OH! OH!
DAVID, CAN YOU EVER FORGIVE ME?
I--I--
YOU CAN. AND YOU STILL LOVE ME.
SUSAN, THAT--
YOU DO!
OH, DAVID!
OH, DEAR. OH, MY.