TOHO CO., LΤD.
A TOHO EIZO PRODUCTION
It's hot. Hurry!
Okay!
Nice wind!
- Here. - Thanks.
Summer vacation is almost here.
I envy you, Gorgeous. Your fabuIous dad has a viIIa.
But you're going to a training camp with the others, Fantasy.
Yes, but I wish you'd come with us.
It'II be boring.
Don't be greedy, Fantasy. Your Iove, Mr. Togo, is going too.
Hey, that's mean, Gorgeous. You caIl yourself my best friend?
Let's go.
Hey, Fantasy.
Why were you staring at me?
Because you looked Iike a witch in a horror movie.
You reaIIy did.
You are fantastic as usuaI.
You're mean. No photos for you then.
Fine.
How's the picture?
- Teacher. - Summer vacation is aImost here.
I'm going to KaruiZawa with my dad.
l see. Is your father doing weII?
Yes. He'Il be back from ltaIy tomorrow.
That's great. And you?
My friends and I are going to Mr. Togo's sister's inn.
Fine.
- Congratulations. - What?
We heard you're getting married.
- Who toId you? - Mr. Togo.
What's he Iike?
I bet you're getting married for Iove.
NaturaIIy.
lt's an arranged marriage. Now go to cIass.
Yes, ma'am!
How nice.
Summer vacation.
Wait, Fantasy!
- I'II give you the photos. - AII right.
Hey, wait up!
Hello!
- Bye-bye. - Bye.
Gorgeous!
Bye-bye!
Daddy!
- WeIcome back. - WeIcome back!
l expected you tomorrow.
How was the movie job in ItaIy?
Leone said my music was better than Morricone's.
You've grown.
- You too. - Hey, watch it.
Souvenir?
I want to taIk.
Yes?
Summer vacation is starting in a week.
Daddy.
Don't teII me we can't go to KaruiZawa.
We can. Sure.
Then what is it?
We've got a companion.
Who? He or she?
Come out, wiII you?
Gorgeous, Iet's shake hands.
HeIIo.
You mean her?
This is Ryoko Ema.
- You're beautifuI. - Thank you.
You're charming when you smiIe.
Let's be friends.
I hope you two wiII get aIong.
She's going to be your mom.
My mom?
l wanted to tell you earIier.
She's a jeweIry designer.
She's surprisingIy good at cooking, and other things too.
You won't have to mend my shirts anymore.
How's the sleeve?
You shouIdn't have said "surprisingly."
It's caught in the sweater.
Listen.
lt's been eight years since your mother died.
It's about time we had a home again.
l won't go with you.
Wait!
l'm back, Mom.
Dad's disappointed us, Mom.
He cried when l won at the sports meet.
I'Il buIly Dad.
l hate him.
The three of us together!
In a bridal costume...
Mom.
I wonder how Auntie is.
Let's sit down.
How nice!
The six of us vacationing by the sea!
But Gorgeous is going to KaruiZawa with her dad.
l wish she could come.
You must be happy to be with Mr. Togo for 1 0 days!
Of course, MeIody. He's so manIy and handsome!
What? Our teacher is manIy?
You're so cooI, Kung Fu!
She's more manly than he is.
Keisuke Togo.
lf there's anything cool about him, it's his name. Right, Prof?
Stop teasing her. She's a dreamer, that's her asset.
- Sorry, Fantasy. - That's okay, Sweet.
He's not so bad.
Hey, you guys, I hope his sister is a good cook.
You want to get fatter, Mac?
Don't make me hit you!
Stop it. We'II have a fun time at the training camp.
Listen to you! You sound Iike a coach.
Gorgeous!
- Morning! - Is your dad back?
Your dad is the best.
He's a fiIm composer and rich!
No! He's the worst.
Good morning.
Mr. Togo!
Bad news.
My sister is going to have a baby.
- What? - So...
her inn won't be open this summer.
l'm sorry.
Does that mean we can't go to the training camp?
Right.
- That's awful! - Do something!
Yeah! It's your fauIt!
Don't bulIy him!
There you go, Fantasy!
She's right.
Don't buIIy me.
Isn't that a pistil and stamen? - What?
Quiet, everyone!
- What is it? - Come with me.
To KaruiZawa?
With your dad?
No. To my mom's hometown.
To my aunt's house.
That's how I invited them to your house, Auntie.
Forgive my sudden letter. I realize I only met you once.
I hope you don't think I'm strange.
I'm in such a mood. l feeI like crying.
l want to see my mom's hometown again
and spend time with you like l did with her.
Please write back that l can visit you.
Cute kitty!
Where are you from?
Gorgeous!
Bye-bye!
What is it, BIanche? Come on.
You're welcome to come.
Your aunt has been waiting for your letter for years.
Come see me.
Come to my house, Gorgeous.
I'm sorry. You took time off for nothing.
That's aIl right.
Maybe we can just go without her.
Don't worry about it.
After aIl, I spoiled her.
- I have an idea. - An idea?
l'll go to her aunt's house later.
I want to taIk to her aIone.
lt'll be aIl right.
This is my first triaI in becoming her mother.
I promise...
I'II bring her back,
her wonderfuI,
mysterious smiIe.
Thanks, Ryoko.
l need some time to think things over...
in the countryside.
Auntie!
Morning.
Good morning.
Good morning, Mr. Painter!
Bonjour, monsieur.
The bucket's stuck!
lt's 8:00 aIready.
Where's Gorgeous and Mr. Togo?
HeIlo, Mr. Togo?
What's keeping you? Fantasy's been crying.
We're gonna miss the train.
It's not serious, but I have to go to the hospitaI first.
What? No more buses today?
AII right, then, I'II take my car. Bye.
He'II come Iater.
What about Gorgeous?
Maybe she's aIready inside the station.
Take care!
- She isn't here. - She must be.
- But - - Maybe she's in the train.
There she is!
Gorgeous!
You're late. We were worried.
Sorry. l've been Iooking for Blanche.
Who's Blanche?
Come on, Mac!
Wait!
ChocoIate, candy, bread, Iove and dreams!
These are our seats.
Blanche!
There you are.
- So this is Blanche? - Cute!
"The train runs through town, white dreams on board,
speeding into the landscape..."
A rainbow!
- It's onIy 1 0:00. - "Over the rainbow"!
Your appetite amazes me, Mac.
lt means l'm healthy.
You can't imagine the pangs of hunger l feeI.
You know something?
Any oId cat can open a door.
Only a witch cat can cIose a door.
TelI me about your hometown.
What's your aunt Iike?
She and my mom Ioved each other very much.
My mom took me there once when I was six.
I haven't seen her since.
1 941 , THE WAR CONTINUES... A long time ago, Japan was in a big war.
This is Auntie's house.
Her late father was a doctor.
This is my grandma.
This is my mom. Isn't she cute?
She Iooks like you.
My aunt and her fiance.
He's handsome!
He was going to run the hospital.
You mean they didn't get married?
No, because of the war.
That looks delicious!
THE FOLLOWING YEAR Is food all you think about?
- A draft card. - Not a housekeeping book?
A pinky promise. They're making a promise.
I PROMlSE l'LL COME BACK!
I'LL WAIT FOREVER - "l'll wait up for you"? - lt says "forever" there.
- It's burning! - A kiss of fire!
- Men were more manIy back then. - They were!
Kung Fu is more manIy than they are!
She's not seeing him off?
It's too painfuI for her.
I feel sad.
He's so serious.
He's manly.
They've been shot!
THE WAR ENDS
The war ended, but my aunt's fiance never returned.
OH, NO! The war ended, but my aunt's fiance never returned.
But she's stiIl waiting.
How romantic!
FIVE YEARS LATER, PEACE RETURNS It's wonderful.
My mom's wedding.
AIl in white.
I'Il wear it at my wedding too.
- You think you can find a groom? - Yes, l do!
So beautiful!
I wonder how Auntie is doing.
It's like a cotton candy!
Since my grandma died, she's been Iiving alone.
She gives piano lessons to the neighbors.
- My mom told me so. - Wow! Piano?
This is our stop.
SATOYAMA VILLAGE
- Which way? - I forgot.
l'm going that way. Bye!
ReaIIy, which way?
- That way! - That way it is.
- Let's go. - Come on, Blanche!
RETURN TO THE COUNTRYSIDE GET MARRlED
Blanche is leading the way.
- MeIody! - Come on.
MELODY - Melody! - Come on.
- Fantasy! - Okay.
FANT ASY - Fantasy! - Okay.
- So many trees! - Prof!
PROF - So many trees! - Prof!
PROF - Sweet! - I'm scared.
SWEET - Sweet! - I'm scared.
KUNG FU I feeI energiZed.
A healthy appetite!
MAC A healthy appetite!
Gorgeous!
GORGEOUS Gorgeous!
l'm scared, Prof. It's spooky.
What are you saying? Ghosts don't exist.
Chicken! Leave the ghosts to me.
This is so tasty.
HeIlo!
What a Iandscape!
We're lost in another worId.
Don't scare me!
Don't be siIIy.
Let's ask here.
- HeIIo! - Anybody around?
Watermelon! Can l have one?
No, Mac!
Come here, girIs.
Where's the house?
The mansion?
My aunt's.
Are you the lady's niece?
l thought so.
You Iook Iike her. EspeciaIIy your eyes.
That's it. The house.
Look!
Let's go!
Thank you.
Come on!
We haven't had visitors for long time.
I'm sure...
the Iady wiII be very pIeased.
There it is!
She's right.
What a place!
It's huge!
This house is something, isn't it, MeIody?
Huh?
HeIlo!
You've got a telegram.
We've got a patient, Doctor.
- Open sesame. - Oh, Kung Fu!
Gorgeous is so stylish!
Putting on makeup?
Blanche?
Welcome.
Auntie!
All seven of you together. How lovely.
HeIlo!
How you've grown. You Iook just Iike your mother.
When did we Iast meet?
lt was Grandma's funeraI.
Ten years ago. - It's been that Iong?
AII this time, I've been waiting for you onIy.
l'm sorry.
l hear you teach piano.
l used to.
But not now. I'm alone.
What happened to your legs?
Don't worry. l have you now. l'm aII right.
l'll take a picture.
- PIease join us. - Come on, everyone.
Say cheese!
- Butter! - Margarine!
- Jam! - Sexy!
l'm sorry about your camera.
But don't Iook so sad.
I'm reaIIy happy that you've aII come to visit.
Smile.
Hey!
Look!
What a watermeIon!
lt's a gift for you. Doesn't it Iook good?
Oh, no, you didn't -
- Did you sneak it away? - You're greedy!
l paid for it.
lt's as fat as Mac!
Come in, everyone.
It's cooI in here.
Come on, Melody. Your shoes.
Do I take my shoes off?
Oh, you.
Dear chandeIier, shine on them!
WilI you close the door?
One, two, three, push!
WeII done! You're so cooI, Kung Fu.
You Iike piano?
Yes, very much.
There's a grand piano in the other room.
Take a look.
This cat's eating a liZard.
l'll clean the house.
l know you're tidy, but this house is too big for you.
- We'II heIp her. - Thank you.
lt's Melody.
Auntie's piano.
What a big room!
What's over there?
lt Iooks like a cIinic.
MeIody!
This is her bedroom.
It's wonderfuI. - Isn't it?
There are so many pictures of the cat.
What is it?
A skeIeton.
Her grandpa used to treat patients in this room.
Don't startIe me.
Then I taught piano here.
It was Iong ago.
The vilIage was prosperous and fuIl of people.
Even girIs from town came here to take lessons.
Auntie,
you don't have visitors anymore? - No.
I get hungry whenever l'm startIed.
I want to eat.
Mac!
AII right.
But the trouble is
l can't work much in the kitchen.
Don't worry. We'II cook.
ReaIly? Thank you.
You must've been IoneIy.
Yes, l've been lonely.
But now l have many young girls in my house.
I'm glad.
AII right. Let's split up the jobs.
We know who'll do the cooking.
You're right. That's for me.
l'lI do the cleaning. Do you have a broom?
It's in there.
Where's the kitchen? l want to put this away.
I'II take you there.
I'Il go too.
lt's a big cIock.
Where is it?
Here we are.
Some kitchen!
lsn't it?
The young Iady wiII warm you, dear stove.
"Dear stove?"
Cooking stove.
What's that?
A stove is a stove.
I've been Iiving aIone,
so l taIk with the furniture and equipment as l work.
Dear fridge, may I cooI this in you?
lt's out of order.
How about a naturaI refrigerator?
You mean a weII?
WonderfuI!
It's over there.
So it's been decided.
l'll assume leadership tiIl Mr. Togo comes.
AII right.
l'll go to the kitchen.
Don't karate-chop any dishes.
HeIp, Kung Fu.
Step aside.
Awesome!
What? It's just a mouse.
- Cute! - There's another one.
l remember this weII.
The water is cold, so it'll be nice and chiIIed.
How nice!
HeIp me with this.
One, two...
What if we Iose it?
Don't worry, Mac. PeopIe aIways used to do this.
That's a funny nickname for a girI.
She's a big eater. She's like one big stomach.
So we caIl her Mac.
Shut up!
Mac, you sure look tasty, being round and alI.
How can you say that?
I'm so hungry that I'm about to pass out.
She was joking. Let's make supper.
- I'II get the bath ready. - How IiveIy she is.
- Auntie. - Yes?
Why do you wear gIasses outdoors?
The bright sunIight frightens me.
It's the spitting image.
- Maybe she came out of the picture. - RidicuIous!
You're fantastic, Fantasy.
Hush! We'lI wake Auntie up.
Don't worry. She was in the sun too long.
Without supper, she'II be hungry.
She's not Iike you, Mac.
- One, two, three... - What are you doing?
- Beauty stretch? - Toilet?
- Need help with the watermeIon? - l'll be fine.
Mac, your ribbon.
Thanks.
You're pretty without glasses, Prof.
Really?
But without them, I can't see a thing.
Oh, that's just too bad!
Let's finish up.
- Then we'lI play. - Let's play hide-and-seek.
Mac's stiIl gone.
She just Ieft.
But the weII is right behind the house.
Why don't you look for her?
She does imagine things.
Mac!
What a beautifuI sunset!
Where is she?
She didn't get it yet.
How beautifuI!
Mac?
Fantasy.
Tasty!
- What's wrong? - Are you aII right?
You're muddy.
- "Hearts in the Mud"? - HoId yourseIf together.
- What's the matter? - What happened?
Auntie! Aren't you sick?
lt's so noisy.
The head!
A human head!
Everybody has one.
A decapitated human head!
Decapitated?
In the -
ln the weII!
l'll take a look.
You can waIk?
You gave me energy.
Let me go.
Let's go to the weII.
Are you alI right, Fantasy?
Oh, poor girI.
A watermeIon.
ls this a head?
lt's weII chiIled.
She fooled us.
Fantasy.
You're imagining things again.
Stop it. l'll clean the house.
There's a potato fieId down the road.
l bet Mac went there.
She loves baked potatoes.
Maybe she's pIaying hide-and-seek.
She's impossibIe. I'II take a Iook.
l'll save you some watermeIon.
Save a big piece for Mac.
Fantasy.
I'm reaIIy sweaty. Let's take a bath.
Not before the others.
lt's aIl right.
She's our sponsor.
l'm sorry, Sweet.
Don't be. I Iike cIeaning.
- Wait. - What?
Where's the bedding?
Over there.
Where on earth did Mac go?
Don't worry. She'lI come back.
Without eating the watermeIon?
I'm thirsty.
Where can she be?
You opened the door?
Where is the bedding?
Sweet.
l Iike the countryside.
How's the bath?
Fine.
l need more water to wash my hair.
AII right. You're a styIish princess.
Time to work.
An ilIusion?
The cicadas are so noisy!
l wonder where Mac is.
This is ridiculous.
Maybe it was an iIIusion.
Sweet?
You're in a good mood.
When l was a child, l went to a restaurant in town.
I was excited Iike I am now.
Don't worry, Fantasy.
You'II see Mac.
Excuse me.
Not again!
You broke it!
She -
She went in the fridge!
You're imagining things again.
See?
I've been Ionely.
This song...
Melody.
You're welcome to come.
Your aunt has been waiting for your letter for years.
Come see me.
Come to my house, Gorgeous.
Auntie?
Blanche!
Any old cat can open a door.
Only a witch cat can close a door.
MeIody?
That's MeIody!
Let's go!
- Help! - The piano room!
That's Sweet.
Sweet!
You'II feeI no pain!
You have interesting fingerprints.
It's onIy a scratch. Don't scream Iike a kid.
Sorry.
But it feIt as if the piano bit me.
The piano?
You sound Iike Fantasy.
Kung Fu! Prof! It's terribIe!
Not again.
Sweet, the mattress!
- Is she sleeping? - No! Come with me!
- ShaIl we go? - AlI right.
- Where? - There.
Sweet?
- What's this? - Mattresses everywhere!
Sweet?
Fantasy!
That's MeIody! Something's wrong again.
- Go to her. - No, I can't go aIone.
You must!
MeIody?
Fantasy.
ToiIet paper, pIease.
Sweet's apron.
And her bra!
What the -
Was she stripping here?
What are you doing?
She didn't have to vanish, even if she stripped.
What are you doing here, BIanche?
The doII's stripped too.
l found her panties.
- Something smelIs funny. - Yeah, it smelIs.
I saw it.
The mats and sheets Ieaping on her Iike beasts.
That's not IogicaI.
She must be taking a bath.
ProbabIy. I'II go check.
Mac's gone too.
All of us wiII disappear. l'm sure of it.
- What do we do? - Don't worry.
Your Iove, Mr. Togo, is coming soon.
He's a man, after aII. He can help us.
He'II be the knight in shining armor come to save the damseI in distress.
Oh, my lovely Princess Fantasy!
Help me, Mr. Togo!
My loveIy teacher!
I helped you! l love you!
"End" - No. "The end"!
- Strange. She's not there. - See, l was right.
Wait.
Gorgeous was taking a bath.
Come to think of it, where is she?
I bet she's putting on makeup as usuaI.
- She must be upstairs. - Let's go.
- What about us? - Let's folIow them.
This way?
She always takes her time.
She's playing hide-and-seek.
Gorgeous?
- She isn't here. - Ready or not -
Here we come.
She stripped too?
- Oh? - Gorgeous?
I can see you!
We were worried sick about you.
I don't bIame Fantasy. I understand.
Mr. Togo is coming soon. Be patient.
- Mr. Togo? - In an old buggy.
But he acts Iike he's fIying a pIane.
A plane?
Nothing.
Don't worry.
We'II caII the poIice in the viIIage.
Let's see.
Wait. I'II calI them.
- Help me! - Get over here now!
- Help! - Come here now!
What's wrong?
lt's out of order.
- Where are you going? - The poIice station.
l'll bring help.
Leaving us aIone?
In this creepy house?
Why be scared? Her aunt is here.
l'll be back.
Take me with you!
- I want to go too. - Me too.
Stay here tiII I come back.
Take me!
The door won't open.
Strange.
FolIow me!
- Oh, no! - We're trapped!
Let's put on silk dresses
Together, you and me
Let's go out
To the dance haIl
I can still hear
That beautiful song
My silver shoes are taking steps
To that beautiful song
Hey! Get that toy car of yours off the road!
Sorry. But the traffic's so heavy.
l'm sorry.
Got that?
l'm scared.
lt's Iike a horror movie.
That's out of date.
- Step aside. - So this is a karate movie!
- Stop it. There's no use. - Why not?
There must be some kind of device.
Device?
Auntie Iives aIone.
So the doors must close automaticaIly at night.
CouId she do that?
That's right.
She graduated from a music schooI in Tokyo.
She's educated.
Oh, yeah?
- I have an idea. - What?
Ask her how to open them.
l see!
Auntie?
There's a human hand in here.
What?
That's Mac's ribbon.
Maybe -
Maybe what?
Nothing.
Melody, play the piano to cheer us up.
No. l'm scared.
Please.
That's a good idea.
Hey, don't touch my butt!
Well, aIl right.
ShouIdn't Gorgeous be back by now?
Things are going just as Fantasy imagined.
But too many strange things are happening one after another.
What are you thinking, Prof?
l can't tell you.
Why?
Because l'm not compIetely sure of it yet.
Besides, Fantasy wouId pass out.
What?
That's Gorgeous!
You're right. When did she come back?
- Gorgeous! - Let's go.
Come on.
No! l'll stay here. You too, Melody?
Let's go.
Gorgeous?
Look at me, Melody.
Turn around, Melody!
My fingers are gone.
Oh, my! That's naughty.
What's this?
"Lonely Days."
Gorgeous?
Give me the Iight.
It's unscientific, unexplainabIe, unnatural, unreasonabIe.
lt doesn't make sense.
You're so cool, Kung Fu!
l'm sorry, Sweet.
Kung Fu?
lmpossible!
l can't beIieve it!
Can such things happen in this world?
What'lI we do?
My knees are wobbIing.
Fantasy!
MeIody!
Come on! Wake up!
Fantasy! Come on!
Wake up!
You must be brave now.
Drink.
MeIody.
You were right. This is a haunted house.
- What the - - GoIdfish.
Even Gorgeous is a ghost now.
No! AlI lies!
Even if you don't beIieve me, we have to cooperate.
That's the onIy way to survive.
Good noodles!
Thanks a lot.
AII right! I'm ready to eat.
Thanks, Pop.
We'lI meet again someday, somewhere.
Bye!
- Wait! - This is so good.
Hurry! We need to buiId a barricade.
"There are no young girls in the village anymore.
l'm alI alone.
But I'II keep waiting for him in this house.
He wasn't kiIled in the war.
I know he'II come back.
Because he promised."
- What's going on? - Fantasy.
What's the matter, Gorgeous?
l'm -
I'm in my aunt's worId.
Her worId?
Huge lips!
She died many years ago.
- She died? - That's right.
Then who was it we met?
She wanted to be married so badly
that her body remained alive after her death.
And she eats all the unmarried girls who come here.
That's the only time she can wear her bridal gown.
Now it's your turn.
Just Iet me eat you.
Gorgeous!
Come on, brace yourseIf!
Spare us!
We were your friends!
It's no use. She's not the Gorgeous we knew.
HeIp, Gorgeous!
Fantasy!
God, help us!
What now?
Damn it! l won't give in!
Don't Ieave us!
- I'Il phone for heIp. - l'm scared!
She said it was out of order. She said so.
lt's a Iie.
Wait!
Just Ieave it to me.
PoIice? Help!
Help me now!
Let me out of here!
Gorgeous - Come on, ghost!
There are no houses at aII.
"l'll be waiting here with Blanche in my arms.
With Blanche, in this house"
Blanche!
Kung Fu! The cat! Destroy it!
Kung Fu! Don't Iose! Go!
Mac...
Sweet...
Melody...
Kung Fu...
We did it!
The diary!
"I know he'lI come back.
Because he promised.
He promised he wouId. l'lI wait."
Look, Prof!
The cat's blood!
"With Blanche in my arms."
Mr. Togo!
Maybe he isn't coming.
Why not? He promised.
No, he didn't.
He promised me!
But he didn't promise Auntie or the house.
He didn't promise the house.
You know where the house is?
The girIs were...
eaten.
They were eaten!
DeIicious.
- Do you like watermelons? - No!
- What, then? - Bananas.
Banana! Banana!
Bananas everywhere!
"Gorgeous wrote to me.
A young girI is visiting me again.
I'II send BIanche for her."
The cat?
My gIasses! I can't see.
Prof!
Blanche.
Gorgeous!
lt wasn't true.
You aren't a ghost.
I'm glad.
Gorgeous!
Fantasy.
- Gorgeous.
lt's not true! TelI me it's not true!
Gorgeous...
I want to sIeep.
Mommy.
Just at a glance
You fell in love
With the view of the sunrise
From this window
It's stilI dark
At the fIower garden
But butterflies wiIl be flying over
They'll be here soon
Why don't you move in to this house
As my wife
Let's start a new Iife
Together, you and me
HeIlo?
Without love
Sunrise will never come
Anybody here?
HeIlo?
Anybody?
I touch your body
With my hand
Bedtime comes
Even for chirping birds
Gorgeous!
Good morning.
Gorgeous.
Come in.
Thank you.
I'm glad.
Thank you for coming.
Where are your friends?
StilI sIeeping?
But -
They'II get up soon.
They'lI be hungry.
They wake up
when they're hungry.
Gorgeous!
Even after the flesh perishes,
one can live in the hearts of others
together with the feelings one has for them.
Therefore,
the story of love must be told many times
so that the spirits of lovers may live forever.
Forever.
The one thing that never perishes...
the only promise...
is love.
STARRING
KlMIKO IKEGAMI
MlKI JlNBO, KUMlKO OBA Al MATSUBARA
MIEKO SATO, ERIKO TANAKA MASAYO MIYAKO
KlYOHlKO OZAKI SAHO SASAZAWA
ASEl KOBAYASHI MlTOSHl lSHlGAMI
TOMOKAZU MlURA FUMl DAN, GODlEGO
HARUKO WANlBUCHI
YOKO MINAMlDA
Concept by CHlGUMI OBAYASHI
Screenplay by CHlHO KATSURA
Cinematography by YOSHlTAKA SAKAMOTO
Production design by KAZUO SATSUYA
Music by ASEl KOBAYASHI and MlCKIE YOSHlNO
Songs performed by GODIEGO
Directed by NOBUHIKO OBAYASHI